Tag: Oxford Dictionary of Celtic Mythology

Iphin (Honey or Gooseberry)

(Photograph by Frank Vincentz)

“I was to go out fishing tonight,” said the younger as he came in, “but I promised you to come, and you’re a civil man, so I wouldn’t take five pounds to break my word to you. And now”-taking up his glass of whisky-“here’s to your good health, and may you live till they make you a coffin out of a gooseberry bush, or till you die in childbed.”  -J.M. Synge (The Aran Islands, 1907)

The Roots:

The fourth forfeda, and the twenty-fourth letter of the tree-Ogham, is Iphin the Gooseberry[i].

As discussed during the previous post, Liz and Colin Murray in the Celtic Tree Oracle do not ascribe the Gooseberry to Iphin. The double crossed lines are instead used for the Honeysuckle, while the Beech tree is given “the hook.” I am unsure of the reasons for this decision. These changes do not make sense to me, but I am well aware that Liz and Colin Murray were very deliberate in their choices. This differing of the order may simply be of interest, however, as many other Ogham systems follow their lead. This includes John Michael Greer as we have already stated.

Robert Graves did not discuss the Gooseberry within the White Goddess and only spoke of the forfeda in the Crane Bag and Other Disputed Subjects. He called this forfeda “the Bones of Assal’s Swine”.  The bones will be explored somewhat below as they do not effect the immediate discussion. Graves does put forward the possibility, though, that these bones were actually the discarded stems from the mushrooms that were eaten during ritual, the Aminita muscaria. In the Crane Bag and Other Disputed Subjects Graves says it is because “Assail was a lightening god and because mushrooms, called “little pigs” in Latin and Italian, were believed to be created by lightening and because hallucinogenic varieties of mushrooms were used in Greek and several Eastern religions for oracular purposes[ii].”

Nigel Pennick in Magical Alphabets does not add anything to the Gooseberry discussion either. He lists the 24th letter as the Guelder Rose or the Snowball tree. Pennick connects this plant to “the dance of life” and to the “mystic Crane Dance performed upon labyrinths throughout Europe, and to the crane-skin ‘medicine bag’ which ancient shamans used to hold their sacred power-objects.”

The Ogham tract does describe the tree as either the Pine or the Gooseberry[iii]. The Scots Pine, also called the Scots Fir at the time, has already been listed[iv]. For a separate meaning of this letter, instead of a duplication, we are then left to focus on the Gooseberry.

“Millsem feda, sweetest of wood, that is gooseberry with him, for a name for the tree called pin is millsem feda. Gooseberries are hence named. Hence it was put for the letter named pin, for hence pin, or ifin, io, was put for it.” – Word Ogham of Morann (the Ogham Tract[v])

“Amram blais, most wonderful of taste, pin or ifin, gooseberry. Hence for the letter that has taken its name from it, pin or iphin, io.” – Word Ogham of Mac Ind Oic (the Ogham Tract[vi])

Eryn Rowan Laurie in Ogam: Weaving Word Wisdom gives the Gooseberry, and the corresponding letter, the attributes of “Divine influences” and “sweetness of life”. Through this sweetness is found the association to Honey.

John Mathews in the Celtic Shaman interprets the word-Ogham “sweetest of wood” as representing “taste.” Caitlin Mathews in Celtic Wisdom Sticks uses this few to represent the direction of North. Robert Ellison in Ogham: the Secret Language of the Druids says that Iphin represents, “the Kindreds, especially of nature.”

It would seem that the Gooseberry is one of the most elusive “trees” found within the Ogham.

This plant is not often found in myth or folklore either, nor does it seem to have any direct ties to legends, beings or heroes. It is, however, used as a sympathetic magical remedy in at least two places that I am aware of.

“For a sty on the eyelid point a gooseberry thorn at it nine times, saying, ‘Away, away, away!’ and the sty will vanish presently and disappear.”  -Lady Wilde (Ancient Legends, Mystic Charms & Superstitions of Ireland, 1887)

“In Suffock and other parts of these islands, a common remedy for warts is to secretly pierce a snail or ‘dodman with a gooseberry-bush thorn, rub the snail on the wart, and then bury it, so that, as it decays the wart may wither away.” – Edward Clodd (Tom Tit Tot: An Essay on Savage Philosophy in Folktale, 1898)

The Gooseberry is a close relative of the currant-berry and can be found, in its North American form, throughout the Pacific Northwest[vii].

Iphin, the Gooseberry, has sympathetic magical properties. It represents that which is tasteful and the divine influences which surrounds us in the sweetest of ways.

The Trunk:

“As for the other miscellaneous objects found in the Crane Bag: if one thinks poetically, not scientifically, their meaning leaps to the eye.” –Robert Graves (the Crane Bag and other Disputed Subjects)

As previously stated the forfeda, or the items found in the crane-bag by poets, are listed as ‘the King of Scotland’s Shears’(the X), ‘the king of Lochlainn’s helmet’ (with his face underneath, the four sided diamond), ‘the bones of Assail’s swine’ (the double lined X out to the side of the line), ‘Goibne’s smith-hook’ (the P or hook symbol), and Manannan’s own shirt’, which “is a map of the sea showing lines of longitude and latitude.”

We now turn our attention towards ‘the bones of Assail’s swine.’ Fortunately, this is the one character listed who is easily recalled from the stories of the Celts.

“Asal, Asail (genitive), Easal [cf. Irish asal, ass] A member of the Tuatha Dé Danann who owned a magical spear, the Gáe or Gaí Assail, and seven magical pigs. His spear was the first brought into Ireland. It never failed to kill when he who threw it uttered the word ‘ibar’, or to return to the thrower when he said ‘athibar’ [cf. Irish ibar, yew tree, yew wood]. T. F. O’Rahilly observed that the Gáe Assail was a lightning spear, like the weapon of Thor, which also returned to the hand that hurled it. When Gáe Assail had been taken to Persia, Lug Lámfhota obliged the sons of Tuireann, Brian, Iuchair, and Iucharba, to retrieve it for him. Another task of those same children of Tuireann was to retrieve the seven magical pigs of Assal ‘of the Golden Pillars’, who could be killed and eaten and would be alive and ready to be slaughtered again the next morning. The bones of the pigs of Assal are in the crane bag of Manannán mac Lir. See OIDHEADH CHLAINNE TUIREANN [The Tragic Story of the Children of Tuireann].” – James MacKillop (Oxford Dictionary of Celtic Mythology)

The recovery of these pigs by the children of Tuireann is one of the tasks that was given to them by Lugh for murdering his father. It is this series of quests which kills them in the end, even after they had accomplished all of them.

“’And do you know what are the seven pigs I asked of you? They are the pigs of Easal, King of the Golden Pillars; and though they are killed every night, they are found alive the next day, and there will be no disease or no sickness on any person that will eat a share of them.’” – Lady Gregory (Gods and Fighting Men, 1904)

These pigs would not only provide a never ending source of sustenance for their owners, but they were preventers of illness as well.

(Amanita muscaria. Photograph by Onderwijsgek)

It becomes important to remember that these items, including the bones, would disappear from the crane-bag when the tide was ebbing and reappear when the tide was full.

The mystery then becomes apparent. Why would the bones only be present in the bag and never the animal whose flesh was to be enjoyed? Would these pigs, then, be considered whole when they are missing from the bag? Does this mean that the pigs would have to be eaten before a certain time of the day such as the high tide? Could this tide actually represent a moon cycle, or a time of day, instead of the literal tide?

Perhaps, it is the bag of Manannan that returns the flesh to their bones before these pigs rise from the dead again? Maybe, instead, these tales are suggesting that the eating of the flesh is a part of the ritual that takes place at high tide, or as high tide approaches?

Obviously these are questions of interest, meditation, and contemplation only. To me, they are incredibly fascinating ones to consider, though.

The Foliage:

The following portion of this blog was here from Oct 20, 2011. I decided to leave it… 

As we approach the final Ogham letter, Mor or “the Twin of Hazel”, I have been struggling to meet the deadlines I have put upon myself as far as posting these. Although this is not a heavily trafficked blog, I use this area to increase my awareness of the Ogham and to share any possible insights with fellow seekers. It’s very important to me that I maintain a sense of discipline, especially as it pertains to my spiritual practice, regardless of if I had one reader or hundreds.

I plan to continue through the next cycle of the half year, starting again with Birch, by sharing those pieces of information that I had left out the first time through – as well as recent discoveries – and will then share some of the other great Ogham minds such as Caitlin and John Mathews or Robert Lee Ellison. At some point, it would be nice to get some quotes from Charles Graves on here as well.

I do feel compelled to share, however, that I have been meeting with greater difficulties in publishing these posts and I apologize if they are not as polished as they could have been.

I have been undergoing aggressive chemotherapy treatments for a form a testicular cancer that has spread post surgery. I’ve been dealing with this for some time (the surgery was a year earlier) but only over the last month have I been getting these treatments. The outlook is very positive and a full recovery is expected. In the meantime, however, it is not the most fun I have ever had.

I will do my best to continue to post these for as long as I can. My intention is that there will be no interruption. I am usually pretty good at that one, the intention part anyways. 🙂

As of April 11, 2012, I am doing much better. I still have bad hair – or way less of it – and tire pretty easy. The chemo cycles are finished but it will be two years before they deem that I am cancer free. 

 

“What shocked them the most was his [France’s] suggestion that the awareness of plants might originate in a super-material world of cosmic beings to which, long before the birth of Christ, the Hindu sages referred as ‘devas’ and which, as fairies, elves, gnomes, sylphs and a host of other creatures, were a matter of direct vision and experience to clairvoyants among the Celts and other sensitives. The idea was considered by vegetal scientists to be as charmingly jejune as it was hopelessly romantic.”  – Peter Tompkins and Christopher Bird discussing Raul France (the Secret Life of Plants, 1973)


[i] The Ogham is not just a tree alphabet. See previous posts.

[ii] Quoting Early Irish Myth and History by Rahilly.

[iii] http://www.maryjones.us/ctexts/ogham.html

[iv] The Silver Fir is not the correct tree for Ailm. The Silver Fir did not exist in Ireland at the time of these writings and was introduced much later. The texts of the time, and sometimes sources later even to this day, referred to the “Scots Pine” as the “Scotch Fir.” The terms were used interchangeably Robert Graves ascribed the Silver Fir to Ailm, not likely being aware of this fact.

[v] http://www.maryjones.us/ctexts/ogham.html

[vi] Ibid.

 

 

Oir (Gold or Spindle)

“Lochlann was the mythical undersea home of the later Fomorian invaders of Ireland, against whom the Tuatha de Danaan fought a bloody war. The god Tethra ruled it. It seems that legends of the war between these two nations were worked by later poets into ballad cycles celebrating the ninth-century wars between the Irish and the Danish and Norse pirates. Thus the Scandinavians came to be called ‘the Lochlannach’ and the Danish King of Dublin was also styled ‘King of Lochlin’.” – Robert Graves (the White Goddess)

The Roots:

The 22nd letter of the Ogham is Oir. This few is usually seen as representing the Spindle tree or the element of Gold.

Liz and Colin Murray in the Celtic Tree Oracle associate this letter to thunder. The letter was described as meaning “sweetness, delight and sudden intelligence.” The Murrays claimed that thunder, Tharan, brings forth from the heavens enlightenment or Awen.

John Michael Greer in the Druid Magic Handbook calls Oir, “a few of fate, sudden change, and the unexpected, symbolized by the spindle tree; the flash of the lightning bolt, change caused by outside factors.”

Eryn Rowan Laurie in Ogam: Weaving Word Wisdom claims that Oir represents Gold but as a tree could also signify the Spindle. The associations for Oir that she lists in her work are those of worth, value and wealth.

Nigel Pennick in Magical Alphabets says that this few can represent the Gooseberry as well as the Spindle. The Spindle tree, he states, is associated with childbirth and can be used magically to “ease the passage of the baby from the womb to the world.”

John Mathews in the Celtic Shaman interprets the word-Ogham “most venerable structure” as representing “truth.” Caitlin Mathews in Celtic Wisdom Sticks uses this few to represent East.

In Ogham: the Secret Language of the Druids, Robert Ellison says that this few represents  “community and working within the home.” He also says that the Spindle tree can be used in spells that are “long lasting.”

Robert Graves in the Crane Bag and Other Disputed Subjects says that this few is represented in the mythology of the crane-bag as being the King of Lochlainn’s helmet[i].

The Spindle Tree is elusive in Celtic mythology. It derives its name from the spindle which was apparently originally fashioned from the wood of this tree. The spindle, as a tool, is an early proto type of the spinning wheel. Thus the tree can be indirectly related to any tales of spinning found in Celtic mythology.

There are tales of industrious fairies in the Celtic stories including the Scottish Habitrot, a beneficient Caileach type figure[ii]. Alfred Tennyson’s Victorian poem the Lady of Shalott, with medieval roots, is also about a weaver.

Oir, the Spindle tree or Gold itself, is a very mysterious few. It has come to represent a sudden positive change in one’s life. It has also come to mean wealth or inspired knowledge in modern times.

The Trunk:

“As for the other miscellaneous objects found in the Crane Bag: if one thinks poetically, not scientifically, their meaning leaps to the eye.” –Robert Graves (the Crane Bag and other Disputed Subjects)

As previously stated the forfeda[iii], or the items found in the crane-bag by poets, are  listed as ‘the King of Scotland’s Shears’(the X), ‘the king of Lochlainn’s helmet’ (with his face underneath, the four sided diamond), ‘the bones of Assail’s swine’ (the double lined X out to the side of the line), ‘Goibne’s smith-hook’ (the P or hook symbol), and Manannan’s own shirt’, which “is a map of the sea showing lines of longitude and latitude.”

The King of Lochlainn is a mysterious figure. The quote at the beginning of this blog post summarizes what is generally believed to be the origins and the evolution of the mysterious Lochlainn[iv].

“Lochlainn may have initially described the fabulous abode under lakes and waters of hostile, supernatural beings like the Famorians.”

In the Irish myths the King of Lochlainn had clearly come to represent the marauders of Nordic descent. There are stories, however, where Finn Mac Cool fosters sons of the King of Lochlainn. These foreigners are usually enemies though.

In Gods and Fighting Men by Lady Gregory[v] one battalion of Fianna, led by Finn Mac Cool, are pitted up against ten battalions of “the King of the World.” The three sons of Lochlainn come one after another, alone, to wreck destruction upon the Fionna. They are eventually followed by the seemingly invincible King of Lochlainn himself.

The fist son, Forne, slays many men before Finn’s own son Oisin stands to face him alone. Initially the battle seems to be going poorly for Oisin. Eventually, though, he is embarrassed by the words of a fellow Fianna who tells him that the men are watching him being beaten. Oisin, who is then spurred into action, pierces Forne with his spear killing him.

The second son, Tocha, then brings the fight to the Fianna slaying many more of their men. Only Lugaidh’s son manages to stand against Tocha, eventually cutting his heart in two.

The third son, Mongach of the Sea, rushes the Fianna swearing vengeance. He carries with him a mighty flail with seven iron balls, with fifty chains, with fifty apples upon every chain, and with fifty iron thorns on every apple! Fidach, son of the King of Breton – out of shame at seeing the destruction of the Fianna – stands alone against him. The two battle hard, but eventually Fidach cut off Mongach of the Sea’s hands. He then cuts him in half. An apple from the flail, with its many thorns, pierces Fidach’s mouth and the two fall “lip to lip” in death.

Finally, the King of Lochlainn himself rushes the Fianna. The destruction that he inflicts is terrible to behold. His flaming shield causes many casualties. Druimderg, grandson of the head of the Fianna of Ulster comes forward with his spear ‘Croderg the Red Socketed.’ Druimberg can see no part of the King of Lochlainn that is not covered in armour except for the open mouth which is laughing beneath the helmet. Druimderg casts his spear into the open laughing mouth of the king and kills him.

Thus the King of Lochlainn is defeated along with his sons.

Other tales also pit heroes against the King of Lochlainn, but the mentioning of his helmet in this particular tale, including the vulnerability of its wearer, is worthy of note.

(Helmet from Cheiftain’s Grave. 10th Century. Norway. Photo: John Erling Blad)

As the helmet is one of the items found in Manannan’s crane bag it’s also worth noting that there is another story with possible connections. This tale is also found in Gods and Fighting Men. Here, Lugh himself is wearing the helmet of Manannan.

“And they were not long there before they saw an armed troop coming towards them from the east, over the plain; and there was a young man in front of the troop, in command over the rest, and the brightness of his face was like the setting sun, so that they were not able to look at him because of its brightness.

And when he came nearer they knew it was Lugh Lamh-Fada, of the Long Hand, that had come back to them, and along with him were the Riders of the Sidhe from the Land of Promise, and his own foster brothers, the sons of Manannan, Sgoith Gleigeil, the White Flower, and Goitne Gorm-Shuileach, the Blue-eyed Spear, and Sine Sindearg, of the Red Ring, and Donall Donn-Ruadh, of the Red brown Hair. And it is the way Lugh was, he had Manannan’s horse, the Aonbharr, of the One Mane, under him, that was as swift as the naked cold wind of spring, and the sea was the same as dry land to her, and the rider was never killed off her back. And he had Manannan’s breast-plate on him, that kept whoever was wearing it from wounds, and a helmet on his head with two beautiful precious stones set in the front of it and one at the back, and when he took it off, his forehead was like the sun on a dry summer day. And he had Manannan’s sword, the Freagarthach, the Answerer, at his side, and no one that was wounded by it would ever get away alive; and when that sword was bared in a battle, no man that saw it coming against him had any more strength than a woman in child-birth.”

Although there is no indication that the helmet once belonged to the King of Lochlainn, of later times, it may in fact have belonged to one of the Famorian kings that we have previously mentioned. The possibility, however remote, should be considered.

So if Manannan’s shirt is representative of ‘the sea’, and the King of Scotland’s shears is representative of ‘the grove’ then what can the helmet from the King of Lochlainn be representative of?

Whether Lochlainn represents the Famorians or another later foreign invader hardly seems to matter. The helmet represents the seeming invincibility of a dangerous enemy. It is an enemy, a mysterious force, which threatens to take everything away. The fact that Manannan owns the helmet means that it is an enemy that has likely been vanquished or perhaps even tamed[vi].

If we were presented with a riddle regarding Oir it might then look like this… What is gold and brings with it sudden sweetness and delight? What is brought by thunder? What brings with it sudden insight or illumination? What is dangerous and otherworldly to the forest? What is the bringer of Awen? What is a catalyst which brings with it change? What may be seen as a triangle pointing into the air with a separate triangle, invisible to the human eye, pointing mirror like into the underworld? What thing seems to be weaving unto itself?

This riddle seems to have an answer that would be near impossible to validate. That answer would be fire. If we consider the flames that radiated from the King of Lochlainn’s shield we seem to have come upon further evidence that supports this possibility. Fire is the one invader of the forest that needs to be tamed. The fire may also be representative of the sun itself. Lugh comes from the east like the rising sun. The descriptors all compare the brightness of his head, which is enshrouded in the helmet, to the sun itself. Perhaps Manannan is being depicted as a great worker of magic, one who has tamed the element of fire.

Of course, I am no scholar. I reflect upon the Ogham and the mythologies that surround them while finding my own meanings for the crane-bag in regards to these forfeda. I have never come across this association of Oir to fire anywhere else.

I do, however, find the possibilities more than a little intriguing.

The Foliage:

The Euonymous occidentalis, or the Western Wahoo, is the Spindle tree of western North America. It can be found from halfway up Vancouver Island down to California[vii]. It is part of the Bittersweet family.

The shrub is listed as “red” in British Columbia. This listing marks the plant as threatened or endangered. There are very few documented areas that the plant exists within and it is not known to thrive anywhere in British Columbia.

“Then Finn said: ‘Lift up your hands, Fianna of Ireland, and give thee shouts of blessing to whoever will hinder this foreigner.’ And the Fianna gave those three shouts; and the King of Lochlann gave a great laugh when he heath them. And Druimderg, grandson of the Head of the Fianna of Ulster, was near him, and he had with him a deadly spear, the Croderg, the Red-Socketed, that came down from one to another of the sons of Rudraighe. And he looked at the King of Lochlann, and he could see no part of him without armour but his mouth that was opened wide, and he laughing at the Fianna. Then Druimderg made a cast with the Croderg that hit him in the open mouth, and befell, and his shield fell along with its master, and its flame went out. And Druimderg struck the head from his body, and made great boasts of the things he had done.” – Lady Gregory (Gods and Fighting Men. 1904)

[i] See previous two posts.

[ii] http://www.sacred-texts.com/neu/celt/sfft/sfft32.htm, Carminan Gadelica Vol. 2. Alexander Carmichael [1900], The Fairy Faith in Celtic Countries. W.Y. Eavans-Wentz [1911], etc.

[iii] See blog post: An Introduction to the Forfeda.

[iv] See also: Oxford Dictionary of Celtic Mythology by James MacKillop.

[v] Part II Book III. [1904]

[vi] Is it possible that Manannan holds the helmet hostage?

[vii]http://linnet.geog.ubc.ca/Atlas/Atlas.aspxsciname=Euonymus+occidentalisvar.occidentalis

Ruis (Elder)

“It is far easier to be sensible in cities than in many country places I could tell you of. When one walks on those grey roads at evening by the scented elder-bushes of the white cottages, watching the faint mountains gathering the clouds upon their heads, one all too readily discovers, beyond the thin cobweb veil of the senses, those creatures, the goblins, hurrying from the white square stone door to the north, or from the Heart Lake in the south.”  – William Butler Yeats (the Celtic Twilight. 1893, 1902)

The Roots:

The fifteenth few of the Ogham is Ruis, the Elder tree.

The Elder is yet another tree with strong associations to the fairy realm. The Elder is also said to be the tree of witches.

John Michael Greer called this letter the few of, “resolutions, fulfillments, and endings.” With the completion of any path, he continues, comes the advancement of new beginnings[i]. Liz and Colin Murray likewise call the Elder the tree of regeneration. It is, they state, the essence of, “life in death and death in life[ii].”

Robert Graves calls the Elder tree, “The Tree of Doom.” He also calls it the witch’s tree[iii].

Nigel Pennick seems to agree with him, but elaborates much further. He claims that Ruis is sacred to the dark aspects of the Mother Goddess, which is the hag. Pennick also says that it is the Ogham letter of “timelessness[iv].”

Eryn Rowan Laurie -our favourite Celtic reconstructionist- calls the Elder a tree of cursing and ill fortune by some, but a “protective force” of others. She links Ruis –but not necessarily the Elder tree- to intensity, passion, guilt, frenzy, jealousy and shame[v]. These associations are strongly supported by the Ogham Tract, from the Book of Ballymote, as being valid. Ruis is stated there as a the letter of “shame,” “blushing,” “redness of face.” and “the glow of anger.”

Elder is a tree of the fairies and is often associated with the Cauldron of Rebirth found in legend.

While the various meanings of Ruis seem to contradict one another on the surface there is a common thread throughout.

The Elder is a tree of power and should be dealt with in a reverent fashion.

The Trunk:

The Oxford Dictionary of Celtic Mythology claims that the Elder is, “A tree of the fairy world.” The dictionary reports that, “many individual [Elder] trees are thought to be haunted by fairies or demons[vi].”

Perhaps it is the Elder tree’s ability to regenerate that has garnered a place for it in the realms of witchery and fairy folklore? This is a trait that led Liz and Colin Murray[vii], as well as Jacqueline Memory Paterson[viii], to associate it with the Celtic Cauldron of Rebirth[ix].

In Ancient Legends, Mystic Charms, and Superstitions of Ireland Lady Wilde says that the Elder is sacred alongside the Yew and the Ash tree. The bark of the Elder tree, as we covered previously, was also one of the, “Seven fairy herbs of great power” along with Ivy and Hawthorn. Included in Lady Wilde’s book are various spells. An example is the use of Elder and Apple roots to expel evil spirits from the body in a type of medieval pagan exorcism. Perhaps, it is these old half-remembered spells that gave the Elder its witchy reputation instead?

It would seem that Lady Wilde isn’t the only one to associate Elder with witches. Robert Graves said that in Ireland witches would ride an Elder stick -instead of the more traditional Ash- as a steed[x]. Jacqueline Memory Paterson claimed in Tree Wisdom: the Definitive Guidebook, that witches used Elder in divination. Eryn Rowan Laurie also claimed that to, “Anoint the eyes with [Elder] sap would allow the person to see in the Sidhe realm,” or the land of the fairies[xi].

Perhaps much of the folklore surrounding the tree is a result of the belief that some of the Sidhe actually reside within the Elder itself?  In The Fairy Faith in Celtic Countries Evans-Wentz says that in the Isle of Mann the Elder tree was inhabited by fairies. He goes on to share a tale in which a woman who merely ran into an Elder tree, experienced “immediate and terrible swelling”.

Fred Hageneder likewise included the British Isles in his list of European countries that held the Elder tree as, “The traditional guardian tree of the household and farmyard.” Hageneder reveals that, “It was said that the good house spirit of the home resided in the Elder bush, and as recently as the 19th century it was a widespread custom to bring her an offering of water, milk or beer, together with cake or bread, at least once a week and even daily[xii].”

The Elder wand, or staff, was also believed to be imbued with power.

The tradition of the Elder has even gained a foothold within the popular culture of present day. In J.K. Rowling’s incredibly popular Harry Potter series, it is an Elder wand that is one of the three Deathly Hallows found in the book of the same name. What is perhaps even further revealing, the wand is also known as “Deathstick” or “The Wand of Destiny”. Rowling has often been acknowledged as having used the mythology of the Celts within her stories as a source of inspiration[xiii].

Like many other goddess trees, such as the Blackthorn or Hawthorn, the Elder carries a white flower in the spring and a dark fruit in the fall. Maybe this physical feature is the reason for the trees mythological status?

Maybe it is the trees association with passion and revelry that makes it a most ideal associate to the fairy kingdom? For where else do mortal men, women, and children meet with the fairy than in the places of celebration? It is a well known fact that the fairy of legend like to dance and to feast, so perhaps it is in this state that the two kingdoms become the closest? For it seems that when humans and the Sidhe are dancing side by side -parallel to one another in sisterly realms- that the bridge is crossed and the worlds become one.

Whatever the cause may be for the tree’s grand status within the realms of legend, it is important to note that the Elder is another tree that can both protect us and harm us. It is for this reason that Ruis should be dealt with reverently.  It is for this reason that Ruis -the tree of regeneration, protection, ill luck and passion- has always been both feared and respected.

The Foliage:

Elder has been called the Country Medicine Chest by many[xiv]. The list of healing properties attributed to the Elder tree is extensive. Jacqueline Memroy Paterson calls Elder the “Queen of Herbs”.

Folklore remedy lists are exhaustive in nature.

There are several pages dedicated to Elder in almost any herb book. In the Healing Plants Bible the leaves are listed as diaphoretic and diuretic, aiding in the treatment of wounds and bruises. With St. John’s wort and soapwort, the extract inhibits both the influenza and Herpes simplex viruses. Elder also has uses for ulcers, colds, fevers, bronchitis, coughs, skin complexion issues, sunburn, and can help protect against infections. It is also anti-inflammatory, antiviral and antibacterial and helps reduce the damage of bad cholesterol.  The same book also says that, “as an immuno-stimulant, the juice is beneficial to AIDS patiants”. It has recently been shown to have promise as an additive in weight reduction supplements. The oil is also believed to help alleviate the pain of arthritis.

According to Lesley Bremness in Herbs, Elder bark is given for epilepsy and the roots treat lymphatic and kidney ailments. “In Chinese medicine the leaves, stems, and roots are used to treat fractures and muscle spasms.”

A leaf tea can also be used as a more natural insecticide in gardening.

It would seem that Ruis, the Elder tree, truly is the Country Medicine Chest.

Caution:  It should be noted here that the Elderberry fruit growing naturally in the Western parts of North America is toxic. The toxins can be removed through cooking according to the British Columbian Nature Guide. Parts of various other types of Elder are also poisonous and the use of the plant should be with the guidance of an experienced mentor only or by using previously prepared remedies by an accredited herbalist.

 “How full of a mystic antiquity are the names of the lotus, the olive, and the ash! Ancient Egypt, Greece, and Scandinavia spring to our minds as the words are heard. The syllables seem haunted to this day by the dryads that the Greek mind saw in every tree. They carry us back to the age of the nymphs who made their home in pools and seas. There was a time when nature seemed to man but as the garment of some large sweet presence that lived and breathed within it. Alas, that age is gone. Irish elder and quicken still point to the neighbourhood of the Neolithic doorsill, but no longer are they held to guard the village with their mysterious benedictions.” –Sister Nivedita (Studies From an Eastern Home. 1913)


[i] The Druid Magic Handbook.

[ii] The Celtic Tree Oracle.

[iii] The White Goddess.

[iv] Magical Alphabets.

[v] Ogam: Weaving Word Wisdom.

[vi] James MacKillop.

[vii] The Celtic Tree Oracle.

[viii] Tree Wisdom: The Definitive Guidebook.

[ix] In Celtic legend the Cauldron of Rebirth, or Pair Dadeni, is a magical item found in the second branch of the Mabinogion and is attached to the legend of Bran, “the Blessed”. The item can revive the dead back to life if they are placed within it. The cauldron is eventually destroyed during a great battle –the same battle that has Bran ask that his head be cut off- when Bran’s half brother pretends to be dead and is placed inside of it.

[x] The White Goddess.

[xi] Ogam: Weaving Word Wisdom.

[xii] The Meaning of Trees.

[xiv]Fred Hegeneder, Helen Farmer-Knowles, etc.

Quert (Apple)

“Apple. The Pome fruit and tree bearing this fruit is celebrated in numerous functions in Celtic mythology, legend and folklore; it is an emblem of fruitfulness and sometimes a means to immortality.”  – James MacKillop (Oxford Dictionary of Celtic Mythology)

The Roots:

The apple represents the allure of the Otherworld.

Quert is the tenth letter of the Ogham. References to things beyond the number nine are found throughout Celtic myth. The Tuatha De Danann try to keep the Milesians beyond the ninth wave of the ocean for example, so that they would not be able to land on the shores of Ireland in the Book of Invasions. Brigit is attended by nine virgins, so she herself is the other that makes ten. Ten is the perfect number because all of the other numbers exist within it, yet it is the return to singularity (Cooper).

There are many Celtic tales, too many to mention here, that have connections to the apple. Yns Avallach, or Avalon, is the final resting place of Arthur and is usually called the Isle of Apples. Cuchulainn follows a rolling wheel and apple to find a great female warrior teacher[i]. One of the Irish names for the Otherworld was Eamhain Ablach, the realm of apples (Laurie). In Irish legend there is even a magical Silver Bough that carries nine apples which sing people to sleep (Paterson) – again that nine plus one. Thomas the Rhymer, who we have also spoken of before, was given an apple by the queen of the fairies that gave him the gift of prophecy. Many other legends associate Merlin, Olwen, Gwen, the romance of Diarmuid and Grainne, and the Tree of Mugna to the apple. Cu Roi is a hero that is only killed after his wife has betrayed him and revealed the secret hiding place of his soul, which is within an apple in the belly of a salmon.

Erynn Rowan Laurie[ii] associates the Ogham letter with madness and insanity. Although Laurie does not associate these letters with trees – but sees them more akin to the Norse runes[iii] -the symbolism of the apple does seem to support her position in some of the myths regardless.  Merlin is often associated to the apple grove which he could bring forth with him from place to place. Sabine Heinz[iv] reminds us that Merlin hid in the treetops when he became insane after a battle. Those that were considered too strange or “touched in the head” were often, even in relatively recent times, said to have been “taken by the fairies” so perhaps there is a connection to those such as Thomas the Rhymer as well to the concept of madness?

With the introduction of Christianity to the Isles, the apple also became synonymous with temptation and evil. The apple, or quert, is often also associated to romantic love and sex.

The Trunk:

The Otherworld can be described as a place that is elusive yet nearby. It seems to exist alongside us. It is a place where time and age do not matter, the otherworldly women and men are beautiful, animals can talk, the sun always shines, the birds always sing and beauty is amplified.

It is in this land that the gods seem to reside and sometimes the ancestors. The Otherworld is a place of heroic deeds, never ending banquets, whimsical love affairs, and items of great power that can be brought back to the land of the living.

Although the Otherworld is often associated with things made of glass, it is more often than not stumbled upon in the most mundane of manners.

A hero is walking through the wood and follows a white animal or becomes lost and finds him or herself in a completely foreign land. This may take place after there is a storm, fog, or mist.

The Otherworld is where the Sidhe, also known as the Tuatha De Danann, reside in Ireland. It is the land of the fairy, the fair folk, or of great lords that reside over the dead.

There is a story of Connla son of Conn Cetchathach of the Hundred Battles. In the story Connla is approached by a beautiful fairy woman who tempts him to come with her to the other side. She offers him an apple and promises him the relief from old age and even death. He leaves with her, but will not return even with the allure of his father’s kingdom and is never seen again.

(Childhood’s Favourites and Fairy Stories, Project Gutenberg)

Those superstitious of the fairies still warn us today to avoid eating the food of the fair folk… lest one never be able to return to the land of the living. There is a suggestion that this is because the food either tastes so good or intoxicates one to never want to return to the land of men again.

The Otherworld is found far away from the trappings of civilization. It is found on the sea by accident when sailors stumble upon unknown islands, or it is found deep within the wilderness.

The Otherworld is found when the hero is out hunting. It is found when the heroine is minding her own business. It is found when an item, usually food or drink, is found unattended and is unassumingly consumed.

It is likely that the Otherworld is a metaphor for the lands that are seen when one’s perception is shifted. This may happen through trance (perhaps shamanic like percussion), drug induced states (maybe aminita muscaria or possibly wine), dreaming, meditation or even enlightenment.

We must remember though that those that seek the Otherworld rarely find it, while those that do not – similar to Taliesin or Amairgin’s acquirement of wisdom– often find themselves on the other side altogether.

Some do not return.

The Foliage:

The apple, as we know it, has only been around since the classical age. The crab apple of the Americas was never cultivated but the small tart apple was used as a food source by the native people nonetheless[v].

According to Jared Diamond[vi], the apple tree was one of the later plants to be cultivated by ancient peoples. The art of cultivation in which the apple tree was domesticated was a complicated and difficult process that is known as grafting today. Grafting was discovered and developed in ancient China. The grafting, and growing of apple orchards, spread across the known world of the time, through Greece and Rome, and eventually into the lands of the Celts themselves.

This was thousands of years after the cultivation of such plants as the olive, grape or fig.

While it is interesting to note that the oak has never been domesticated as a food source, it is also interesting to recognize that the apple tree will quickly become wild once more. According to Hageneder[vii], the orchard apple is sweeter and bigger than the crab apple and the tree has lost its thorns. Trees that naturalize and leave the orchard, however, are often found to grow thorns once more.

The apple, Quert, has a long list of health benefits and even medicinal properties that continue to be studied in awe. The fruit absorbs contaminants from its environment however, so one should try to eat the organic fruit whenever it is possible.

“In the 19th century in Lower Saxony, Germany, the first bath water used by a newborn baby was poured over the roots of an apple tree to ensure that the child would have red cheeks, and, if it was a girl, large breasts too.” – Fred Hageneder  (The Meaning of Trees)

[i] This seems to be a type of divination.

[ii] Ogam: Weaving Word Wisdom

[iii] The Ogham is often seen as a tree alphabet but, as I have discussed in previous posts, this is not entirely accurate. I choose to use the Ogham as a tree alphabet on my own path. In my opinion Erynn Rowan Laurie’s book has the most accurate perception of the Ogham.

[iv] Celtic Symbols

[v] Tree Book: Learning to Recognize Trees of British Columbia

[vi] Guns, Germs, and Steel: The Fates of Human Societies

[vii] The Meaning of Trees

[Image] http://www.gutenberg.org/ebooks/19993

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