Séance conducted by John Beattie, Bristol, England, 1872
The Philip Experiment
“A poltergeist will usually claim to be whatever its human observers believe it to be” – Poltergeists & Other Hauntings (Rupert Mathews. 2009)
In 1972, Canadian Dr. G. Owen conducted the Philip Experiment. This was a study that would test his theory that, “Ghosts have an objective reality, but they are created out of the minds of those who see them.” A ghost, he proposed, was basically a hallucination created by those who believed in it.
In the Philip Experiment a group of individuals met regularly and began to focus on a fictitious character with the aim of creating a ghost. This “spirit” was named Philip and was given a complete life biography including a tragic end. According to the group, Philip’s wife had murdered Philip’s real love by having her tortured and burnt at the stake for being a witch. The man had then fallen into a deep depression before eventually killing himself.
For a period of time nothing happened to the experimenters. The group then decided to add the 19th century practice of table turning, which was used by earlier experimenters to produce some interesting phenomena. All of the participants, it was agreed upon, needed to believe in the paranormal but not feel responsible for creating any phenomena themselves. If something unusual did occur, they all agreed that it would be met with a lighthearted acceptance.
After about a month into the Philip Experiment the table actually began to tremor. In the weeks that followed, the table then began to rock back and forth dramatically. Finally, a knocking sound was heard while they were seated around it.
The experimenters told the “ghost” to knock once for “yes” and twice for “no” and began to ask it questions. They always addressed this entity as Philip. Through the knocking communication, Philip gave a biography of himself that matched the fabricated story. This was complete to the smallest detail. Philip, however, continued to add unmentioned smaller details to the stories that had not been created by the group. When these details were checked, however, it would be determined that they were not always historically accurate.
The table itself then began to demonstrate some very strange behaviors. All of the participants were frisked and the environment was controlled. The table began to move even when no one was touching it. At one point, it even became stuck in the doorway as it attempted to leave the room. When this entity, Philip, was asked to manipulate the lights he would do so and they would flicker.
The volunteers’ knocks were recorded and compared with the knocks produced by Philip. There were distinct differences, however, as Philip’s knocks did not vibrate as long.
This activity was recorded and later captured on film. The table was moved to various locations but the activity continued. At a later period of time, the experiment was replicated by a new group of participants.
Many have noted the similarities between Philip’s abilities and those of the poltergeist. These experimenters had tried to create a physical manifestation of a ghost, but instead were rewarded with a different type of haunting altogether: the Poltergeist.
There have been those who’ve claimed that the original results from the experiment were hoaxed, but this has never been confirmed. The usual criticism is that the experiment lacked the control factors, which would have made it scientific. Attempts by other groups to replicate the Philip Experiment have usually, but not always, failed. The most successful – though not as powerful – replication has been the Sydney or “Skippy” Experiment.
Interestingly, the Philip Experiment is often quoted as being the inspiration for the upcoming movie the Quiet Ones, whichHammer Films says is a “follow-up” toWoman in Black. The movie’s scheduled for release on April 25th, 2014.
The Eight Stages of a Poltergeist Haunting was proposed by Rupert Mathews in his book Poltergeists. Filled with illustrations and unique information, this is by far my favourite book about poltergeists.
Mathews covers many aspects of what we would now consider classic poltergeist hauntings. What I like most, is that Mathews doesn’t automatically subscribe to common poltergeist theories (regarding psychokinesis and the paranormal). He is thorough in covering many possible explanations including fraud and misidentification. Mathews covers historic and modern cases, investigations and scientific experiments, as well as famous early mediums and fraudsters.
Astutely, Mathews says there are generally eight stages to an “idealized poltergeist visitation,” or haunting, where fraud has not been detected:
Stage One: Beginnings
The activity usually begins with faintly registered sounds. This is usually a scratching noise, which might be disregarded as rodents or related to water pipes, etc. These noises are usually only heard at night.
Stage Two: Noises
The sounds will become harder to ignore. At this point, the noises might resemble knuckles knocking on wood or another objects such as glass. Sometimes, very loud cracking or unexplained banging noises are heard but this is less common. Objects might vibrate. At this stage, the activity might also be heard during daylight hours.
Stage Three: Moving Objects
Mathews says that sometimes Stage Three begins at the same time as Stage Two. Objects might be moved inexplicably. Stone throwing, or lithobolia, is very common. Objects might disappear and reappear. This activity usually focuses on a certain item or type of object such as a specific ornament or keys. It’s rare to actually see the item moved. The object might be hot to the touch immediately after.
Stage Four: Apports and Disapports
When an object appears from out of nowhere it’s called an apport. When an object disappears “into oblivion” it is called a disapport. These types of activities are extremely rare but have been reported.
Stage Five: Communication
In some cases communication is established through a code of knocks. This may be two knocks indicating a “yes” and one knock indicating a “no” or some other established pattern. Sometimes speech occurs. In almost all of these cases, there seems to be a gradual process which starts with whistles, slurps, growls and so on. At first, mutterings or distant voices can be heard. Next, the voice is said to sound robotic. Finally, witnesses have claimed regular speech is achieved. At this point, the poltergeist will be able to speak as a normal person might as they begin to make statements. Claims by the poltergeist about their lifetime identity are often grande. They may say they were a murderer, a victim, a suicide, or even a famous person. When these statements are checked out they will usually be found to be false. According to Mathews, it is rare for a poltergeist to have knowledge of events outside of what is widely known within the community it appears in. Mathews does not mention this, but it’s interesting to me that many claimed spirit-contacts through Ouija boards share these same characteristics of deceit[i].
Stage Six: Climax
The poltergeist activity will suddenly increase to a point it had never reached before. This may last several hours or several days. If the poltergeist can talk it may state that it’s going to leave soon. Unlike previous claims, however, this will generally turn out to be true.
Stage Seven: Decline
According to Mathews, “the decline is almost always much shorter than the build-up.” The poltergeist will lose its abilities in reverse and gradually become weaker.
Stage Eight: Endings
The activity may slowly skip to an end. Sometimes, this poltergeist activity will reach a dramatic conclusion. In many cases, exorcisms or blessings may prematurely kill the activity. Sometimes, the focus person leaving the premise may cause the activity to cease.
Other Features
The “idealized” poltergeist haunting will usually have a focus person. According to Mathews, this focus person is most often a teenage female but may be any age or gender. Some investigators believe poltergeist activity always centres around one person but this is not always the case. Mathews adds that, “it is often said that focus people are usually in a stressful situation of some kind.” He gives examples of divorce and attempted rape.
Also noteworthy, poltergeists sometimes manifest physically. The apparition might be smoky or misty (this makes me think of Jinn). Sometimes, it will take on a human form. The apparition might also appear even more inexplicable such as in an animal or part animal form. Wet spots might also manifest, which are said to smell like urine. Sometimes the wetness can be viewed as it occurs and seems to come out of nowhere.
Witnesses have claimed to be harmed by poltergeist entities, as well. Scratches and bite marks are said to appear on the person’s skin without explanation. In some cases, pets will die. Fires can start in the home inexplicably. In the Bell Witch case, the poltergeist claimed to have killed Jack Bell. In another – which is not in Mathews’ book – a woman named Doris Bither claimed to have been raped by a poltergeist. Witnesses later supported her claim. The Bithers’ poltergeist account and investigation was made into the 1981 movie The Entity starring Barbara Hershey (before the fictional Poltergeist movie). For an interview with Doris Bither’s surviving son please go to: ghost theory
It’s important to note that the poltergeist distinction is not as clear as many imagine. Especially mainstream parapsychologists or paranormal investigators. The characteristics of poltergeist hauntings often share many similarities with conventional hauntings. Translated from German, the word poltergeist basically means “noisy ghost.” Identified as a poltergeist, it has come to represent a specific idealized type of haunting. Many individuals separate poltergeists from traditional ghosts, for example, because they believe spirits of dead people cause other types of hauntings and there are psychic explanations for poltergeist activity. One early theory was that poltergeist activity was caused by uncontrolled female teenage sexual energy, an unfounded problematic belief that persists to this day.
[i] For more reports that suggest spirits are often deceptive, consider reading Hungry Ghosts by Joe Fisher, which is fascinating. Since publication, Fisher died falling off a cliff. Many believe he was pushed.
The Temptation of St. Anthony by Martin Schongauer. 1480-90
All over the world, since the beginning of time, people have been having experiences that have defied their understanding of the world around them. With the advent of science and reason, however, mysteries that had long been considered unsolvable were finally being exposed and explained once and for all. Somewhere along the line, however, the scientific mind was repressed. The last of the great mysteries were suddenly regarded as forever unexplainable or, worse yet, completely nonexistent. Nowhere are these current and all prevailing attitudes of ignorance more prevalent than in the study of those things that many deem “paranormal.”
The term paranormal can be defined as “pertaining to the claimed occurrence of an event or perception without scientific explanation[i].”
No great scientific mind has ever, not even once, claimed that people were not experiencing “paranormal” events. In fact, there are many theories as to why certain paranormal incidents occur. A common theory is misidentification of what is seen or experienced. Another is mental illness. Some have made claims that these experiences are related to energy and are some type of hallucination. Sometimes drugs are suspect. There has also been speculation that certain paranormal incidents occur because of an event in the brain similar to a dream. Others have said that the mind is far more powerful than we are aware, and that we are able to manifest unexplained events or energies subconsciously (sometimes called a tulpa). In fact, there have been many proposed theories for various incidents over the years such as those I write about in my post Science and Ghosts.
Of course, there are also those theories that I like to refer to as “the Paranormal Status Quo.”
The status quo for hauntings, for example, would be that a dead person’s essence is somehow visiting or present. The common belief about Sasquatch is that it’s an undiscovered ape. The term UFO – which simply means unidentified flying object – has come to represent a spacecraft of an unknown alien life-form from another planet. These status quo theories are usually based 100% on correlations found between accounts or on communal speculation. In a haunting, again, individuals claiming to see deceased individuals represent the bulk of the evidence for believers in the “spirits of the dead” theory. These status quo speculations are merely mainstream conjecture. They’re usually the result of blind acceptance to reported correlations.
A correlation is when two or more things are found to be related to one another. There is a correlation between overeating and weight gain for example. A correlation does not, however, necessarily mean that a cause has been identified. In certain geographic areas, for example, people have claimed that a person’s race is a determining factor in crime. Despite there being a correlation between race and crime, we now know that race is not the cause of criminality. The cause is most often social based and has to do with poverty and other factors such as the community norms accepted within a specific area. In short, correlation is not the same thing as causation. In a haunting, once again, simply seeing the image of someone deceased does not automatically mean that that deceased individual is really present. This correlation has led people to conclude that ghosts are the spirits of the dead. Case closed? I don’t think so. Nothing could be further from the truth.
I’m left to wonder, then, why can’t mainstream society simply accept that there are things in this world we cannot currently understand or explain? Worse yet, why are there only two sides presented in any of these arguments? Looking at hauntings one might determine that there are only two stances in North America: Either you believe in ghosts – as the spirits of the deceased – or you believe that all of these stories are make-believe. In my opinion, both conclusions are simpleminded and unscientific.
Until a “ghost” is somehow measured it will never officially exist. I tell you this as a person who has had my own experiences. I do not know if incidents such as hauntings are caused by the spirits of the dead and neither does anyone else. In fact, anyone who tells you that they do – including psychics – are only contributing to an ignorance of the collective. It is speculation at its best and we should all call it what it is.
On the other hand, those that merely disbelieve for the sake of disbelieving are lost somewhere in the realm of misinformed scepticism or outright fear. If they’re spiritual or religious they believe in the paranormal already, but just have different theories or views as to what the causes of these experiences may be. If they see themselves as science-based then instead of merely stomping their feet in childlike protest why wouldn’t they choose a speculative theory like an actual science-based person would? If they thought we were all misidentifying what we’ve seen, for example, then they should say so. It sounds a lot smarter than contradicting what science has already accepted, that these incidents are perceived as real by the bulk of those experiencing them.
The problem with the Paranormal Status Quo is that these whimsical theories do have an impact on our ability to solve remaining mysteries. Most scientists today, for example, will not go anywhere near the study of anything that may be deemed supernatural or paranormal. Not only are controlled conditions very difficult or impossible to come by in the first place, there’s also a stigma attached. As a result, many scientists have claimed that a study in this realm is not worth the risk to their career. Likewise, funding from reputable sources is often said to be virtually non-existent for the same reason. Also of consideration – because of the difficult nature of the study – is that the likelihood of success is very limited. In other words, studying the paranormal’s not usually considered a respectable pursuit in the scientific community, or a lucrative one either. This is both unfortunate and problematic if we ever hope to solve some of these last great mysteries.
Things may not be so black and white, however. There is a third group that warrants consideration in any discussion of the paranormal. This is the community of hoaxers. Unfortunately, many individuals have chased fame by claiming the capture of evidence that had been contrived. Truthfully, trickery has likely existed just as long as legitimate experiences of paranormal events. The motivation for these individuals varies, but there’s usually some sort of financial reward involved. For example, spirit mediums and exorcists have always been able to ask for money, which can be seen as clear motivation for a hoax. Likewise, modern video and image evidence may lead to a career that involves book deals or even a documentary. There are also hoaxers that seem to find some sort of amusement or pleasure at the expense of others. Lying is easy. Unfortunately, we’re entering a technological age where we’ll no longer be able to accept video or images as evidence at all. CGI gets easier, photo manipulation technology gets better, and the ability to see evidence in its original unaltered state will be based on nothing short of blind trust. In a world of hoaxers, trust just isn’t enough anymore. Maybe it never was.
People who have had these experiences are often left extremely shaken. Some individuals become obsessed in proving to others that what they saw was real. Others become silent. Many have claimed to suffer a variety of symptoms that sound surprisingly similar to PTSD. Problems sleeping, fear of being alone, avoiding certain locations, terrifying dreams, anxiety, spiritual uncertainty, relationship collapse and feelings of “craziness” are all commonly reported. Rarely are paranormal experiences said to have been fun or desirable. In fact, most report that they wished that the paranormal event had never occurred in the first place.
So where does that leave us? Do we really need to accept that entities such as ghost are real? No, we do not. We merely need to accept, as the scientific community already has, that certain individuals have experienced these events. No one knows what the truth is despite what any one person may claim. That is why these types of events – such as hauntings – are considered unexplained.
No matter how crazy the truth may be, we can rest assured that a day will come where we’ll know beyond the shadow of a doubt what that truth really is. That answer may be a chemical imbalance, or it may be something far more significant such as proof of life after death. I do not know what that truth will be, and neither do you. Until then, all we have is speculation. At this rate, maybe speculation is all we’ll ever have? I hope not.
On a personal level, I can work within my own beliefs as I continue to grow and to evolve. I will try to keep in mind, however, that spiritual practices are viewed as faith-based for a reason. The only thing that I do know for sure, is that the older I get the more frustrated I become by people who claim to absolutely know the truth about anything. When it comes to the world of the supernatural, this is especially frustrating, because no one does. That’s why we use the term paranormal in the first place. These events are simply beyond scientific explanation… for now.
The Ghosts of Togo and his Wife by Utagawa Kuniyoshi. c. 1850
The Cat in Celtic lore is a beast both loved and abhorred. Those in pursuit of Otherworldly powers coveted him, but not in a way that lacked cruelty. For those who despised powers said to exist outside of the church, the cat was an indication the devil’s hand was near. This belief would become so prevalent that simply owning a cat would become a dangerous affair when the witch trials began to spread across Europe.
A study of the Celtic cat reveals an ethical dilemma, which will shortly become apparent. A list of sources will be given at the end of this post, but I will not attach them to any one individual statement. By doing this, I hope to provide some accurate broad information while simultaneously avoiding disclosing specific information as far as the ritual use of cats.
It is my belief that spells are symbolic gestures, a prayer embraced by metaphor. Like a New Ager’s ‘vision board’ or the church’s rite of communion. I make these statements not to cause discourse or debate, but to openly criticize anyone who believes that there could ever be a reason to harm an animal for ritualistic purposes. There are those who would obviously disagree with me, but the way I see it, any living being’s life is not worth one’s own personal gain, unless it’s as a source of food. Those who practice these types of rituals are rarely very old, and never very wise. The beings they do seem to attract – metaphorically or not – do not seem interested in the individual’s wellbeing either…
There is a great deal of Celtic lore, which still exists in regards to the cat. Individual body parts were used in a number of spells in several different ways. Additionally, there were love spells that required certain organs ritualistically prepared. There was also a type of divination that involved the slow killing and roasting of a cat in a very specific way. The cat that was used in these spells was usually black. The particular cat most often referred to is also male.
There were spells that used living cats as well. Conducting one spell could transfer a disease from a sick animal to a hapless cat. Several other rituals allowed evil spirits to kill a cat so that the humans would be left alone. On the first Monday of winter, for example, the cat could be thrown outside of the home before the family had exited in order to placate any lingering hungry spirits.
“God save all here except the Cat.” – Irish saying.
There were many opportunities to divine the future by observing a Cat’s actions. If it jumped over a corpse, for instance, the next person who saw it would go blind. If it washed itself rain was coming. If the cat died in the house a human would also die shortly thereafter. If the cat jumped over food being prepared it was said that the person eating it would themselves conceive cats. A cat crossing the path of a bride, or anyone on New Year’s Day was considered unlucky for it warned of negative future events. If the cat crossed the path of a sailor, on the other hand, it was considered to be good luck. If a cat meowed for flesh it was believed that another animal was about to die.
The cat’s life was not highly valued, but the animal itself was treated with a great deal of caution. It was said that a witch’s cat was “endowed with reason.” These felines were also said to be vengeful, so great care was taken so as not to offend them. A cat could also be a spirit, an evil fairy, a shapeshifting witch, a demon, or the devil himself in disguise. For these reasons, the cat was often believed to be a spy for evil beings lurking outside the home. There was also a fairy cat that was known as the King of the Cats. Truthfully, he was much less a king than a vengeful protector spirit of the feline population in general.
The Love Potion. Evelyn de Morgan. 1903
There’s also an abundance of lore, which speaks of talking cats. These are often Aesop-like tales or stories of shapeshifting witches. The cats are usually given human characteristics to the extreme. They are bards, warriors, and even sentries. One common Celtic story, for example, is of a Cat who allowed some travelers to feast upon his table. When one of the men tried to take advantage of his hospitality by stealing a necklace, however, the cat became a flaming arrow and incinerated the would-be thief.
In myth, the Celtic cat is a much more ambiguous entity. The Tuatha De Danaan god Nuada had one of his eyes replaced with one of his pet cat’s eyes. Cuchulain and his companions fought three cats in one tale, and in another the Fianna would fight against Cat-headed and dog-headed warriors who were part of an invading land force. Across the water, one of Arthur’s men named Gogyfwlch was said to have had cat eyes. Arthur himself later battled a cat that almost killed him. Elsewhere, there’s the story of an enchanted princess who spent one year as a Cat, one year as a swan, and one year as an otter. This shapeshifting theme, as we’ve seen before, was quite common in the Celtic world.
In the more modern stories, Cats were often associated with ghosts and demons. In one tale, a troublesome cat was drowned with a garter around its neck. The cat would later be seen in a boat with the same garter around its throat. In one early poltergeist account, an apparition of a Cat with a man’s head was seen when a bed was inexplicably set on fire. Though often left out of published accounts of poltergeists, these types of apparitions – that defy logic – are not unheard of. The Bell Witch poltergeist, for example, was said to have first appeared as having had the body of a dog and the head of a rabbit by at least one source. So maybe the apparition was a poltergeist? Then again, maybe the spirit was simply a leftover cousin of the cat-headed people who had fought the Fianna?
The 13th century Irish witch Alice Kytler was accused of having relations with a succubus that sometimes took the form of a black cat. Elsewhere, a source claimed that “the devils” could take the form of a weasel, cat, greyhound, moth, or bird. One Irish witness of witchcraft claimed to have seen a cat-like creature that was three times the size it should have been. The story implies that the apparition was a demon.
16th Century Woodcut
In Welsh and French myth, there was also the Palug Cat who was so powerful a being that it was called “one of the three plagues of the Isle of Mona.” It was this cat which Arthur, or sometimes Cai, was said to have defeated in battle. Arthur would later die from wounds sustained in a separate fight, but as many know there are tales that speak of his return to the land. Perhaps, this should offer us some measure of solace, for as one text claims of the cat:
“The wether [goat] they had been fighting with was the World, and the cat was the power that would destroy the world itself, namely, Death.”
No study of the Celtic Cat would be complete, without the mention of phantom cats being reported throughout the United Kingdom today. Despite a lack of evidence of a large black cat ever having been released in England’s rural countryside, there have literally been thousands of sightings in recent years. This cat is usually described as a black panther. It’s the belief of many that these cat sightings can be explained, and there’s a lot of evidence to support this. Until such a time the cat is captured, however, the story remains a modern folkloric account – which just happens to take place on the lands of the ancient Celts.
Although sources seem to disagree with one another in regards to the cat’s nature, there is one level of consistency found throughout. All agree that the Cat harbored, or hid, great power. The Cat in Celtic lore truly was a beast both loved and abhorred, and it would suffer through the ages because of it.
Witches Sabbath. Arthur Rackham. 1924
Sources:
Campbell, J. F. Popular Tales of West Highlands. 1890.
Carmichael, Alexander. Carmina Gadelica. 1900.
Crocker, Thomas Croften. Fairy Legends and Traditions. 1825.
Curtin, Jeremiah. Tales of the Fairies and of the Ghost World. 1895.
D’Este, Sorita & Rankine, David. Visions of the Cailleach. 2009.
Douglas, Sir George. Scottish Fairy and Folk Tales. 1773.
Ellison, Emily and Perry, Chuck. Liars and Legends: The Weirdest, Strangest, and Most Interesting Stories from the South. 2005.
Gregor, Walter. Notes on the Folk-Lore of the North East of Scotland. 1881.
Gregory, Lady Augusta. A Book of Saints and Womders. 1906.
Gregory, Lady Augusta. Visions and Beliefs in the West of Ireland. 1920.
Guest, Lady Charlotte. Mabinogion. 1877.
Henderson, George. Survivals in Belief Amongst Celts. 1911.
Jacobs, Joseph. Celtic Fairy Tales. 1892.
Jacobs, Joseph. MoreCeltic Fairy Tales. 1894.
Kuno, Meyer. The Voyage of Bran. 1895.
MacKillop, James. The Oxford Dictionary of Celtic Mythology. 1998.
Mathews, Rupert. Poltergeists and Other Hauntings. 2009.
Moore, A. W. The Folk-Lore of the Isle of Man. 1891.
Rolleston, Thomas. Myths and Legends of the Celtic Race. 1911.
Seymour, St. John. Irish Witchcraft and Demonology. 1913.
Seymour, St. John & Neligan, Harry. True Irish Ghost Stories. 1914.
Wilde, Francesca. Ancient Legends, Mystic Charms and Superstitions of Ireland. 1887.
Cat Eating Prey. Mark Marek. 2005
*the top image is by Clement Percheron. It’s available for use through Unsplash.
The Banshee’s arguably the most famous ghost of them all, and probably the least understood.
“When the Banshee calls she sings the spirit home. In some houses still a soft low music is heard at death.” – George Henderson 1911 (Survivals in Belief Amongst Celts)
There’s an Irish tradition promoting the Banshee as only ever interacting with certain families. Although folklorists have also made this statement in the past, it’s entirely false. The Banshee’s known by many different names, was encountered in many varied forms, and was believed to have existed by a wide array of people[i].
In Ireland, the Banshee is also called Banshie, Bean Si, Bean Sidhe, and Ban Side amongst other names. A great deal of surviving Banshee lore comes from outside of Ireland, however. In Scotland, for example, the Banshee may be referred to as Ban Sith or Bean Shith. On the Isle of Mann she’s called Ben Shee, while the Welsh call her close sister Cyhyraeth[ii].
The she in Banshee, or sidhe, suggests and older source for the stories. The sidhe were the old gods who had fled the Irish invaders to live inside of the hollow hills. They were also known as the Tuatha De Danaan or “the fair folk.”
“Banshee: A female wraith of Irish or Scottish Gaelic tradition thought to be able to foretell but not necessarily cause death in a household.” – James MacKillop (Oxford Dictionary of Celtic Mythology)
In the 1887 book Ancient Legends, Mystic Charms, and Superstitions of Ireland by Lady Wilde, we’re told that the Irish Banshee was more likely to be beautiful, while the Scottish Banshee was more likely to appear in the image of an older crone-like woman. Like most things in Celtic lore, however, this wasn’t always consistent.
The Banshee would usually warn of death by: wailing, appearing as an apparition, playing or singing music, tapping on a window in the form of a crow, be seen washing body parts or armor at a stream, knocking at the door, whispering a name, or by speaking through a person that she had already possessed – a host or medium[iii]. The noble families of Ireland generally viewed the spirit’s attendance as a great honour. Some sources do say that the Banshee served only five Irish families, but others say that several hundred families had these spirits attached to them[iv]. The five families usually stated to have had Banshee attendants are the O’Neils, the O’Brians, the O’Gradys, the O’Conners, and the Kavanaghs. Many stories, however, are of other families.
The Ó Briains’ Banshee was thought to have had the name of Eevul[v], or Aibhill as she is called in the book True Irish Ghost Stories. Likewise, a great bard of the O’Connelan family had the goddess Aine (sometimes called Queen of Fairy), attend him in the role of a wailing Banshee in order to foretell – and honour – his death[vi]. Cliodhna (Cleena) is a goddess-like Munster Banshee, who people claimed was originally the ghost of a “foreigner.” Most Banshees remained nameless, however.
The description of the Banshee varies a great deal throughout the many accounts. If she was young she often had red hair, but she could have “pale hair” as well. She was often described as wearing white, but sometimes she could be seen wearing green or other colors such as black or grey. Red shoes were sometimes mentioned, but so was a silver comb,[vii] which she either ran through her hair or left on the ground to capture some curious passerby. Most described her eyes as being red from crying, or keening, or to be menacing and evil looking. The eyes were also often said to be blue. In J.F. Campbell’s 1890 Popular Tales of the West Highlands, the Banshee was said to have webbed feet like a water creature. Sometimes she was wrapped in a white sheet or grey blanket – a statement that reveals an older funerary tradition and a possible source for the modern white sheet-ghosts of Halloween.
In True Irish Ghost Stories we’re told that the Banshee could not by seen by “the person whose death it [was] prognosticating.” This statement is not consistent with all of the stories either:
“THEN Cuchulain went on his way, and Cathbad that had followed him went with him. And presently they came to a ford, and there they saw a young girl thin and white-skinned and having yellow hair, washing and ever washing, and wringing out clothing that was stained crimson red, and she crying and keening all the time. ‘Little Hound,’ said Cathbad, ‘Do you see what it is that young girl is doing? It is your red clothes she is washing, and crying as she washes, because she knows you are going to your death against Maeve’s great army.’” – Lady Gregory 1902 (Cuchulain of Muirthemne – retelling of 12th CE)
Watcher of the Ford. Eleanor Hull. 1904
The Banshee – who’s often said to have her roots in stories of Morrigan the Irish war goddess[viii] – could also follow families abroad. One famous story regarding the O’Grady family takes place along the Canadian coastline where two men die[ix]. St. Seymour shares another tale in which a partial Irish descendent sees a Banshee on a boat in an Italian lake. In Charles Skinner’s 1896 Myths and Legends of Our Own Land we’re also told of a South Dakota Banshee living in the United States.
The Banshee could also be a trickster of sorts. She was said to mess with “the loom” in Alexander Carmichael’s 1900 Carmina Gadelica. There’s even a blessing in the section, which is chanted over the item. In W.Y. Evens-Wentz’ 1911 Fairy Faith in Celtic Countries we’re told of a Banshee who could be placated by giving her barley-meal cakes on two separate hills. This action reminds us of the tithes often left for other trickster fairies, and doesn’t seem to be a customary gift one would leave for a ghost. As Katherine Briggs once said[x], however, fairies fall into two categories, “diminished gods and the dead.” Unfortunately, our modern conception of fairies does little to remind us that either one of these forms would be considered as a spirit-being today. As Evans-Wentz further explains:
“It is quite certain that the banshee is almost always thought of as the spirit of a dead ancestor presiding over a family, though here it appears more like the tutelary deity of the hills. But sacrifice being thus made, according to the folk-belief, to a banshee, shows, like so many other examples where there is a confusion between divinities or fairies and the souls of the dead, that ancestral worship must be held to play a very important part in the complex Fairy-Faith as a whole.” – W.Y. Evans-Wentz 1911 (Fairy Faith in Celtic Countries)
The Banshee being attached to a certain family could be extremely beneficial and would have not been seen as a negative. As already stated, any family would’ve been seen as extremely important if a Banshee (or several) attended them. In George Henderson’s 1911 Survival in Belief Amongst Celts, a Banshee, or Maighdeann Shidhe, even gave the “Blue Stone of Destiny” to the Scottish hero Coinneach Odhar. In return for favours, however, it would’ve been extremely important to honour these spirits whenever possible, either out of respect for the Banshee, or from a place of fear in order to placate them.
In modern times, the Banshee became associated more and more with evil. As a portent of death she shared many things in common with the approaching Carriage of Death, the death candles, Ankou[xi] or even with the Grim Reaper. In her more ancient visage, she could easily be compared to the Norse Valkyrie (as the Morrigan often is) or to any other Shieldmaiden whose task it was to collect the dead[xii]. To the commoner of modern times, such a role was reserved for the Angels of God and for the Holy Church alone.
Furthermore, the Banshee – like other mystic beings of Celtic lore – was also able to appear in various non-human forms. A fact which would later make her seem in league with the devil:
“The Banshee is dreaded by dogs. She is a fairy woman who washes white sheets in a ford by night when someone near at hand is about to die. It is said she has the power to appear during day-time in the form of a black dog, or a raven, or a hoodie-crow.” – Donald MacKenzie 1917 (Wonder Tales From Scottish Myth & Legend)
Whether the Banshee does, or ever did, exist is a matter of conjecture. One thing is certain, however, the most famous ghost of them all is the one in which few people actually know anything about. The Banshee was more than a shrieking omen of death. In fact, individual Banshees appeared and behaved quite differently from one another in different stories. Her attachment to a particular family was a relationship that was embraced by the Celtic people with pride, and with honour. Her haunting of a particular place, on the other hand, was met with wary bribes. An unknown Banshee – like a stray dog – could have been seen as something quite different altogether. It would have been this Banshee that brought with it fear – which was usually seen as nothing short of a greeting from death itself.
The Banshee in Celtic folklore seems much more interesting, when we realize that many of our modern ghost stories share the exact same elements. A deceased female relative forewarning death, a disembodied voice, a spirit attached to a particular family, or a haunted landmark may not seem to have anything to do with a Banshee today, but none of these stories are really all that different from the old ones at all. Like it or not, in modern folklore the Banshee still remains. It’s only our terminology that has changed.
Vancouver, BC’s Old Yale Brewery: Tall Tale Series
[i] James MacKillop. Oxford Dictionary of Celtic Mythology. 1998.
[ii] (ibid)
[iii] St. John Seymour and Harry Neligan. True Irish Ghost Stories. 1914.
[iv] James MacKillop. Oxford Dictionary of Celtic Mythology. 1998.
[v] Thos Westrop. Folklore. 1910.
[vi] W.Y. Evans-Wentz. The Fairy Faith in Celtic Countries. 1911.
[vii] This may be an overlap with the mermaid, which history likewise seems to have forgotten was also a spirit.
[viii] James MacKillop. Oxford Dictionary of Celtic Mythology. 1998.
[ix] This would most likely be referring to the east coast but could also be the west coast, as well.
[x] Katherine Briggs. The Fairies in Tradition and Literature. 1967.
The Owl in Celtic lore is a creature of shadows and the Otherworld. It’s rarely mentioned in myth, legend, or folklore, but when it is it’s usually spoken of in hushed whispers – accompanied by a warning.
In Lady Charlotte Guest’s 1877 translation of the 12th Century Mabinogion, the Owl’s origins are described in detail. Within the story of Math Son of Mathonwy, the god-like figure Gwydion decides that he must find a bride for his nephew Lleu. The curse upon Lleu, however, is that he cannot ever take on a human wife. To help Lleu out, Math and Gwydion create a woman for him out of flowers. They name her Blodeuedd which is said to mean “Flower Face.” Unfortunately, the new bride betrays Lleu and attempts to have him killed by her new love interest. The assassination attempt fails, however, and the lover is eventually killed. Gwydion then places a curse upon Blodeuedd:
“And they were all drowned except Blodeuwedd herself, and her Gwydion overtook. And he said unto her, ‘I will not slay thee, but I will do unto thee worse than that. For I will turn thee into a bird; and because of the shame thou hast done unto Llew Llaw Gyffes, thou shalt never show thy face in the light of day henceforth; and that through fear of all the other birds. For it shall be their nature to attack thee, and to chase thee from wheresoever they may find thee. And thou shalt not lose thy name, but shalt be always called Blodeuwedd.’ Now Blodeuwedd is an owl in the language of this present time, and for this reason is the owl hateful unto all birds. And even now the owl is called Blodeuwedd.”
E. Wallcousins. Illustration from Charles Squire’s Celtic Myth and Legend. 1905
In another tale[i], the poet Taliesin asks an Owl about her origins. “She swears by St. David” that she’s the daughter of the Lord of Mona, and that Gwydion son of Don transformed her into an Owl.
There’s a final Owl tale in the Mabinogion–in the story of How Culhwch Won Olwen. While searching for the missing Mabon[ii], some of Arthur’s men are forced to seek out the five oldest living animals and inquire as to his whereabouts. When they eventually do meet the Owl, they discover the bird does not know of the Mabon’s location either. The Owl knows of an animal even older than itself, however, and propels the seekers further along their journey.
In Celtic Symbols, by Saibne Heinz, we’re told of the Sheela na gig, which are “figurative carvings of naked women displaying an exaggerated vulva[iii].” The Sheela na gig are most often 12th-century gargoyle-like sculptures found upon churches. Saibne Heinz claims that[iv], “Some people suspect a resemblance to Owls.”
12th century Sheela na gig. Photo by Pryderi
The Owl is also sometimes believed to represent the Cailleach, the primordial Celtic hag goddess. Philip Carr Gomm, in the Druid Animal Oracle, makes the following statement:
“Because the Owl is sacred to the Goddess in her crone-aspect, one of its many Gaelic names is Cauilleach-oidhche (Crone of the Night). The barn Owl is Cauilleach-oidhche gheal, “white old woman of the night.” The Cailleach is the goddess of death, and the owl’s call was often sensed as an omen that someone would die.”
The Celtic Owl is almost always female. In one Welsh tale, for example (also found in Celtic Symbols), an Eagle searches for a wife. After finally determining that the 700-year-old[v] Owl came from a good family, he hastily marries her.
In Padraic Colum’s King of Ireland’s Son, published in 1916, the Owl is in servitude of evil. The King of Ireland’s Son is led to a cabin by an unusual white Owl. The bird communicates with him by flapping her wings three times. The King of Ireland’s Son soon discovers the Owl is in service of the Enchanter of the Black Back-Lands’ daughter, who just happens to be a shapeshifting swan.
In the notes section of the Mabinogion we’re told the Owl is sometimes seen as the bird of Gwyn ab Nudd, the King of the Faerie. In the 1917 Wonder Tales of Scottish Myth by Donald MacKenzie, we learn of another fairy, a “fairy exile,” called “The Little Old Man” or “The Little Old Man of the Barn.” This wizened looking spirit-being is described as wearing a single white Owl feather in his cap.
In the 1913 Book of Folk-Lore, by Saibne Baring-Gould, we stumble upon a Celtic ghost story, which speaks of the Owl:
“My great-great-grandmother after departing this life was rather a trouble in the place. She appeared principally to drive back depredators on the orchard or the corn-ricks. So seven parsons were summoned to lay her ghost. They met under an oak-tree that still thrives. But one of them was drunk and forgot the proper words, and all they could do was to ban her into the form of a white owl. The owl used to sway like a pendulum in front of Lew House every night till, in an evil hour, my brother shot her. Since then she had not been seen.”
In the 1914 True Irish Ghost Stories by St. John Seymour and Harry Neligan, we find another reference to an Owl spirit:
“A death-warning in the shape of a white Owl follows the Westropp family. The last appeared, it is said, before a death in 1909, but as Mr. T.J. Westropp remarks, it would be more convincing if it appeared at places where the white Owl does not nest and fly out every night.”
The belief that the Owl’s an evil omen is not necessarily tied to just one family, however. In the 1825 Fairy Legends and Traditions of South Ireland, by Thomas Croker, we’re told that seeing “the corpse-bird,” or screech Owl, always foretold of a death. The author compares these sightings to those of the “corpse-lights” which were also said to be seen around the time of death. In the 1881 British Goblins by Wirt Sikes, we’re also told that a Screech Owl’s cry near a sickbed foreshadowed a death:
“This corpse-bird may properly be associated with the superstition regarding the screech-owl, whose cry near a sick bed inevitably portends death.”
Sometimes, the Owl warns of misfortune short of death. In the 1900 Carmina Gadelica by Alexander Carmicheal, for example, it’s said that hearing the “screech” of the Owl meant that the whole year “would not go well.”
Up until the 1950s, Owls were nailed to barn doors as a ward against evil. Strangely enough, it was a common belief that to fight evil one had to sometimes use evil against itself. In this case, the Owl was believed to be a ward against storms, thunder, and lightning[vii].
So it can be summarized that the Owl of the Celts – being a bird associated with twilight – appears white in many of the old texts. It’s is almost always female, as well. The beautiful and Otherworldly Blodeuwedd, for example, was turned into an Owl as punishment for the attempted murder of her husband. Other stories speak of the great age of the Owl, or fear her as a messenger of death. Philip Carr Gomm points out that there’s a direct link between the Cailleach, the Celtic hag goddess, and the Owl, as well.
Could it be a coincidence then, that the only story of the Owl being young and beautiful is the oldest story of them all? Perhaps it is. Then again, perhaps it is not.
The Owl is often associated with Halloween. This modern holiday is commonly believed to be a direct descendent of Samhain, a Celtic fire festival (image: allfreelogo.com)
[i] As told in the notes section of the Mabinogion.
[ii] The Mabon is described as the divine Celtic youth. The Encyclopedia of Celtic Wisdom. Caitlin and John Mathews.
