The Celtic Werewolf

The Celtic Werewolf
Werewolf. 18th century engraving

The Celtic Wolf is a complex and Otherworldly creature. Wolves, it would seem, have always had varied personalities as diverse as their human counterparts. Where one shapeshifting wolf could be seen as evil, for example, the next might very well turn towards a travelling priest and begin to preach the gospel.

Lady Guest’s 1877 classic, the Mabinogion, was an English translation of some of the 11th century surviving Welsh tales. Not only do we find some of the earliest known stories of Arthur within the text, but we’re also able to observe a few of the first Celtic wolf stories ever recorded. Incidentally, they’re all about shapeshifters.

In the first story, the king’s nephews Gilvaethwy and Gwydion are being punished for having raped one of the king’s virgin handmaidens. Upon receiving their sentence, the two boys are struck by the king with his wooden rod, which in turn changes them into a proud stag and a beautiful hind. Over the next year the pair breed with one another and they knew one another (to use an under appreciated  biblical term). Following this first year of exile, the king then strikes the two beasts with his rod once more. This time, however, they’re turned into a boar and a sow. The mating couple returns once more following another year of high-octane pleasure. Finally, the king converts them into a male and female wolf. The wolf pair then mates for another full year. Following this third year of transformation, the two men are finally forgiven and restored to their human forms. With the original rape now being restituted, Gwydion is free to transform into the god-like figure he would become later in the tale[i].

The two boys aren’t the only shapeshifters found in the Mabinogion either. The poet Taliesin brags:

“I have fled as a wolf cub. I have fled as a wolf in the wilderness.”

The Mabinogion has another wolf curse within its pages, as well. In this story, there’s a princess who’s been transformed into a wolf for “her sins.” While living as a wolf the princess has two wolf cubs. It is Arthur who restores them to human form.

In Winifred Faraday’s 1904 translation of the 12th century Tain we find an Irish story involving the wolf. In this tale, the goddess Morigan curses Cuchulain. She says to him:

“I will drive cattle on the ford to you, in the form of a grey she-wolf.”

Later, she makes good of this promise and does just that.

In Sir George Douglas’ 1773 book Scottish Fairy Tales, we begin to see some Aesop-like stories emerging in the lands of the Celts. Within the stories are several talking animals of the forest. Here, the fox is usually tricking the wolf in some way. The fox is generally seen as clever and conniving, while the wolf is portrayed as strong and thick-headed.

In the 1884 book Fairy Mythology of Various Countries by Thomas Keightly, we find a Breton tale that speaks of the werewolf:

“No one who became a wolf could resume his human form, unless he could recover the clothes which he put off previous to undergoing the transformation.”

Celtic Werewolf
Aberdeen Bestiary. 12th century

In Lady Wilde’s 1887 classic Ancient Legends, Mystic Charms and Superstitions of Ireland we find one of my favorite werewolf stories of all time. In it, a young farmer named Conner is out searching for some missing cows when he stumbles upon a cabin of sorts. It’s dark out, and Conner has lost his way. The host who greets him at the door invites him inside. The family then begins to return home one after the other:

Before Connor could answer another knock was heard, and in came a second wolf, who passed on to the inner room like the first, and soon after, another dark, handsome youth came out and sat down to supper with them, glaring at Connor with his keen eyes, but said no word.

“These are our sons,” said the old man, “tell them what you want, and what brought you here amongst us, for we live alone and don’t care to have spies and strangers coming to our place.”

Then Connor told his story, how he had lost his two fine cows, and had searched all day and found no trace of them; and he knew nothing of the place he was in, nor of the kindly gentleman who asked him to supper but if they just told him where to find his cows lie would thank them, and make the best of his way home at once.

Then they all laughed and looked at each other, and the old hag looked more frightful than ever when she showed her long, sharp teeth.

On this, Connor grew angry, for he was hot tempered; and he grasped his blackthorn stick firmly in his hand and stood up, and bade them open the door for him; for he would go his way, since they would give no heed and only mocked him.

Then the eldest of the young men stood up. “Wait,” he said, “we are fierce and evil, but we never forget a kindness. Do you remember, one day down in the glen you found a poor little wolf in great agony and like to die, because a sharp thorn had pierced his side? And you gently extracted the thorn and gave him a drink, and went your way leaving him in peace and rest?”

“Aye, well do I remember it,” said Connor, “and how the poor little beast licked my hand in gratitude.”

“Well,” said the young man, “I am that wolf, and I shall help you if I can, but stay with us to-night and have no fear.”

So they sat down again to supper and feasted merrily, and then all fell fast asleep, and Connor knew nothing more till he awoke in the morning and found himself by a large hay-rick in his own field.

A wolf then brings Conner some new cows. Surprised, he realizes that it’s the same wolf which had said it would help him in the cabin. As a result, Conner sees himself as a friend to the wolves for the rest of his life.

Elsewhere in the book, a poet exorcises an evil king as the moon rises into the dark night’s sky. When the spirit is cast out of the king, it becomes a large dead wolf[ii].

There are two important passages regarding the wolf in J. F. Campbell’s 1890 encyclopedias Popular Tales of the West Highlands.  In volume 1 it is stated that:

“Men learn courage from the lion and the wolf.”

In volume 4 of Popular Tales of the West Highlands we are told of a goblin that appears to some shipwrecked sailors as a pig, a wolf, an old woman, and a ball of fire.

Of course, it’s always nice to see some feral carnivorous creature dancing around upon its hind legs. We receive such a treat in Joseph Jacob’s 1892 work Celtic Fairy Tales. Within these tales we also learn of a prince Llewelyn, who as a baby killed a wolf assassin with his deadly baby fists (in some stories killed by his dog Gelert).

In his next book More Celtic Fairy Tales, published in 1894, Jacobs tells us of a woman who strikes her husband repetitively with a wooden stick. Every time he’s struck he transforms into a different animal. This list includes the wolf.

In the 1906 Book of Saints and Wonders by Lady Gregory we even find a saintly wolf. A priest is wandering through the forest. A wolf asks if she can be blessed and make a confession. After the priest complies, the Irish wolf issues forth the following revelation:

“It was through the sin of the people of this country Almighty God was displeased with them and sent that race to bring them into bondage, and so they must be until the Gall themselves will be encumbered with sin. And at that time the people of Ireland will have power to put on them the same wretchedness for their sins.”

In the year 1911, J. F. Campbell and G. Henderson collaborated on a book called the Celtic Dragon Myth. In it, a wolf tells a herder that if he ever becomes “hard pressed” that he should think of him. The herder does so, later shapeshifting into a wolf. He does this three times in order to fight a ram, a giant, and a dragon. The wolf defeats all three.

In Thomas Rolleston’s Myth and Legends of the Celtic Race – from the same year – we’re told that a full-grown adult wolf was buried inside of a man’s back wound. There, the wolf was found “up to it’s shoulders” inside the flesh. It was a good thing that they found him too. The wounded man had merely felt a pain in his back and had decided to have someone check it out for him.

There is an especially interesting section on wolves in George Henderson’s Survival in Belief Amongst Celts, which was also published in 1911:

The Soul in Wolf-form: The existence of this belief in animal parentage is seen from the Leabhar Breathnach. Here we read: “The descendants of the wolf are in Ossory (Osriage). There are certain people in Ossory; they pass into the form of wolves whenever they please, and kill cattle according to the custom of wolves, and they quit their own bodies; when they go forth in the wolf-forms they charge their friends not to remove their bodies, for if they are moved they will not be able to come again into them (their bodies); and if they are wounded while abroad, the same wounds will be on their bodies in their houses; and the raw flesh devoured while abroad will be in their teeth.”

This belief was current in the days of Fynes Moryson, who mentions the report that in Upper Ossory and Ormond men are yearly turned into wolves. And long before then Gerald, the Welshman, had heard a story of two wolves who had been a man and woman of the Ossorians. They were transformed into wolves every seven years through a curse imposed by St. Naal or Natalis, abbot of Kilmanagh, Kilkenny, in the sixth century. They were banished to Meath, where they met a priest in a wood, shortly ere Earl John came to Ireland in the days of Henry II. They retained the use of language and were fabled with having foretold the invasion of the foreigner. The Latin legend declares the substance of what the wolf said to the priest: “A certain sept of the men of Ossory are we; every seventh year through the curse of St. Natalis the Abbot, we two, man and woman, are compelled to leave our shape and our bounds.” Then having been divested of human form, animal form is assumed. Having completed their seven years, should they survive so long, if two other Ossorians be substituted instead of these, the former return to their pristine form and fatherland.

Old Ireland
Map of Ireland, circa 900

In personal and tribal names the wolf meets us, e.g. Cinel Loairn, whence modern Lome in Argyll, after which is named the marquisate in the ducal family, from Gadhelic Loam, wolf. In Ireland it is told of Laignech Faelad that he was the man “that used to shift into wolf-shapes. He and his offspring after him used to go whenever they pleased, into the shapes of the wolves, and, after the custom of wolves, kill the herds. Wherefore he was called Laignech Fdelad, for he was the first of them to go into a wolf- shape.”

The Celtic god Dis Pater, from whom, according to Caesar’s account, the Gauls were descended, is represented as clad in wolf-skin, and holding a vessel, also a mallet with a long shaft, which, Monsieur Reinach thinks, recalls the image of the Etruscan Charon. “A low-relief at Sarrebourg, in Lorraine,” says this eminent authority, “proves that one of the epithets of this Gaulish god was Sucellus, signifying ‘one who strikes well.’ The wolf skin leads to the presumption that the god was originally a wolf, roving and ravaging during the night time. This god has been identified with the Latin Silvanus, the woodman or forester who gave chase to the wolves — of old a wolf himself. On this view, which M. Reinach favours, at least a section of the Gauls had a national legend identical with that of the Romans: like Romulus they were the children of the wolf, and M. Reinach suggests that perhaps it was on this account that the Arverni called themselves brethren of the Latins. If so, we have a close parallel to Gadhelic tradition.

Spenser says that “some of the Irish doe use to make the wolf their gossip;” and Camden adds that they term them” Chari Christi, praying for them, and wishing them well, and having contracted this intimacy, professed to have no fear from their four-footed allies.” Fynes Moryson expressly mentions the popular dislike to killing wolves. Aubrey adds that “in Ireland they value the fang-tooth of an wolfe, which they set in silver and gold as we doe ye Coralls.”

At Claddagh there is a local saint, Mac Dara, whose real name according to folk-belief was Sinach, ‘a fox,’ a probably non- Aryan name. The Irish onchii, ‘leopard,’ also ‘standard,’ whence G. onnchon, ‘standard,’  from French onceau, once, ‘a species of jaguar,’ seems preserved in Wester Ross with the change of n to r, as or chu, written odhar chu, in the sense of wolf: the howl of the creature thus named inspired the natives of old with a fear and awe which had their origin in days when the wolf prowled of evenings among the flocks.

Another interesting mention of the wolf is also found in the text:

“A Breton tale tells of a giant’s life as being in an egg, in a dove, in a horse, in a wolf, which lives in a coffer at the bottom of the sea.”

In the 1932 book Shetland Traditional Lore by Jessie Saxby we learn of the Wulver. The Wulver was basically a wolf headed man who lived by fishing the lakes of the Shetland Islands. The Wulver would sometimes leave fish on the window sills of poor people’s homes. The beast was both friendly and charitable, unless it was provoked.

Alexander Carmichael’s Carmina Gadelica – published in 1900 – leaves us with a couple of interesting spells regarding the wolf. The first of these concerns several other creatures as well:

The people repaired to the fields, glens, and corries to eat their quarter cakes. When eating them, they threw a piece over each shoulder alternately, saying: “Here to thee, wolf, spare my sheep; there to thee, fox, spare my lambs; here to thee, eagle, spare my goats; there to thee, raven, spare my kids; here to thee, marten, spare my fowls; there to thee, harrier, spare my chickens.”

Finally, we come upon “the Spell of Mary” which was used as protection against a very long list of impeding dooms, evils, mishaps and sorceries. Protection against the wolf is listed alongside many of the other more traditional forms of evil. Within this long list of worldly and otherworldly perils, a person also needed the protection:

Against incantations, against withering glance, Against inimical power. 
Against the teeth of wolf.
 Against the testicles of wolf[iii].

Dare we even ask? I guess, with the number of people running around in the form of a wolf in those days, one could never be too careful. If we’ve learned anything from Gilvaethwy and Gwydion it is this: wolves have needs too.

Celtic Werewolf

Eurasian wolf by Gunnar Ries Amphibol. 2009

[i] Celtic stories are often metaphoric. There’s a widespread belief that the original transcribers were sometimes recording knowledge that could only be fully understood by “a poet.”

[ii] Interestingly, when the king was possessed by the evil spirit he gorged himself on apples.

[iii] This is only a partial list.

The Celtic Tree Ogham

Celtic Tree Ogham

During the first year of this blog, the posts focused primarily on the Ogham in its “tree” form. These posts had evolved into three distinct parts. The first was “the Roots” section which spoke to the divination users and students of the Ogham. The second portion was “the Trunk” section which shared the harvest of information available on that tree from Celtic Myth and Folklore. The third part was “the Foliage” section which shared spell uses for the tree or plant discussed that week.

What exactly is the Celtic Tree Ogham?

Nowadays, the Ogham is often seen as a “tree alphabet,” but there’s little evidence that the listings of these trees within the Ogham Tract was anything more than a mnemonic device being used at the time. The Ogham, however, is often used by many as a way to reconnect with the ancestor spirits of the past, or with nature itself.

My intention, in writing the blog, was to reflect more deeply on the associations for each of these letters in a way that deepened my own relationship with the Ogham and in a way which promoted a practice of self-discipline.

In this way I would research, reflect, and meditate upon each letter for a week before publishing what I had discovered or written. A previous knowledge of the Ogham was not necessary for the reader, though some would have chosen to skip ahead to the Myth and Folklore section.

Sharing these findings with those who were also interested was my way of giving back.

Within the Celtic Tree Ogham there are 25 main letters, or fews. My first post was at the beginning of May 2011, the “light half” of the year, and this first cycle was concluded by the end of October 2011 for the beginning of the “dark half” of the year (or more accurately the cold half). I began the second cycle at that time and finished it in May of 2012. Each cycle (part I & II) focuses on several respected authors who study the Ogham. As the authors are different between part I & II, sometimes the interpretations will differ. A Ogham student may wish to read both part I and part II for each tree.

When writing about the Ogham, I tried to reference Celtic mythology almost exclusively. The Ogham was a Celtic alphabet, it seemed strange to me that many wrote about the Ogham but referenced other cultures when they discussed the trees. Other mythologies are easier to find, research, and reference, but that doesn’t mean that we should ignore what reflections are available to us through the traditional sources. The context of the Ogham is one that can only be found within the culture of the Celts. Their gods were different from other cultures’ gods, their foods were different, their language was different and their ways of achieving enlightenment were different. It is only through a Celtic context that we can ever hope to understand the possible meanings of the Ogham in a spiritual context.

I’m not a Ogham expert, but an enthusiast. I am not a Reconstructionist, necessarily, but believe that our ancestors knew many things that we have long since forgotten. They lived in a more symbiotic relationship with nature and discarnate beings, which we can in turn learn from through study.

 The Living Library Ogham Index (first cycle only – there’s no index for the second cycle)

Ogham: the Forfeda, Diphthongs, or Extra Letters

Forfeda
The Image of Irelande. John Derrick. 1581

These previous Forfeda posts have been reviewed, updated, edited and revised. I’ve included these links here, in one place, so that those who are seeking to know more about the Forfeda may find much of the information available in one place. Those who do not have a keen interest in the Ogham may wish to pass over this post on the Forfeda completely.

The weathered student of the Ogham, on the other hand, may find a great deal of information here. These posts represents several years of contemplation and study. Many authors who write about the Ogham do not describe the forfeda in any great detail. As far as I know, essays like these – which explore the Ogham from a mythical and folkloric perspective – have never been written on the forfeda in any great detail.

This is not to say that I’m an expert by any means. I’m merely sharing the findings of my personal research. My opinions are more open and flexible in regards to the Forfeda than they may have been in relation to the other Ogham letters. This is because the information itself is often conflicting and obscure. I would be very eager to accept any further feedback or new leads towards an even deeper level of contemplation and/or research in regards to these “extra letters.” If you are aware of another site – including your own – which explores the Forfeda in greater detail or from a different perspective, please feel free to leave a comment with the link attached. I would be very grateful.

Forfeda
Finn’s Window. Book of Ballymote. 1390

An Introduction to the Forfeda:

https://livinglibraryblog.com/?p=264

Koad (Salmon or Grove)

https://livinglibraryblog.com/?p=281

Oir (Gold or Spindle)

https://livinglibraryblog.com/?p=291

Uilleand (Elbow or Honeysuckle)

https://livinglibraryblog.com/?p=302

Iphin (Honey or Gooseberry)

https://livinglibraryblog.com/?p=323

Mor (Twin of Hazel or the Sea)

https://livinglibraryblog.com/?p=343

Forfeda
The Image of Irelande. John Derrick. 1581

I have gone through the Ogham cycle of the trees twice over the last year. Next week I will be branching off into a completely different area as we begin to explore the birds and animals of Celtic Lore.

 

Ioho (Yew) II

(Yew Tree Farm. 1936 postcard[i])

“A yew-tree, the finest of the wood, it is called king without opposition. May that splendid shaft drive on yon crown into their wounds of death.” – Charles Squire (Celtic Myth and Legend. 1905)

1) The Roots: Background information

2) The Trunk: Celtic Mythology and Significance

3) The Foliage: Spells using the Plant

The Roots:

The 20th letter of the Tree-Ogham is Ioho[ii], the Yew tree[iii].

Yew is the tree found most often in mythology as the Tree of Life or the World Tree[iv].

Eryn Rowan Laurie in Ogam: Weaving Word Wisdom said that Ioho (Idad) is the few of longevity, reincarnation, the ancestors, history and tradition. Laurie also said that the Yew is the tree of immortality[v].

Robert Ellison in Ogham: the Secret Language of the Druids said that the Yew represented “death and rebirth.” He also called it “the Ancestor Tree.”

John Mathews interprets the word kennings taken from the Ogham Tract[vi] in his book the Celtic Shaman. There, the phrase “oldest of wood” was given the quality of “wisdom.”

In Celtic Wisdom Sticks Caitlin Mathews said that the Yew “is often found in churchyards, where its association with death and longevity are living symbols of mortality.” She also said that the tree shared the same status as the Oak in Ireland. In her divination system, Caitlin gives the interpretations for the Yew tree as broadening horizons, standing tall, deep memory and observation.

The Trunk:

The Yew is the hollow tree spoken of in folklore and fairytale. In fact, it is one of the most commonly mentioned trees within those Celtic stories.

The Yew tree is often associated with death, dying and the dead. There’s an old Breton legend that said that the roots of the Yew tree grew into the open mouth of each corpse[vii]. Yew branches were also said to have been buried with the dead[viii].

The Aspen may be seen as the tree of death and finality within an Ogham divination system. The Yew, on the other hand, can be seen as the tree of rebirth.  The Yew does not simply represent change, however. The Yew represents the rebirth that follows death. This is an important distinction.

Lady Wild spoke of the Yew tree as being “sacred” within the 1887 book Ancient Legends, Mystic Charms, and Superstitions of Ireland.  In the 1904 Gods and Fighting Men by Lady Gregory we are told that the Yew was “the most beautiful wood.” In 1877, Lady Charlotte Guest stated in her Mabinogoon notes that the Yew tree was “sacred to archers.”

Alternately, powerful creatures of nature – like the Yew tree – were just as likely to be shunned as embraced. In British Goblins by Wirt Sikes, 1881, we find the following tale:

“Near Tintern Abbey there is a jutting crag overhung by gloomy branches of the Yew, called the Devil’s Pulpit. His eminence used in other and wickeder days to preach atrocious morals, or immorals, to the white-robed Cistercian monks of the abbey, from this rocky pulpit. One day the devil grew bold, and taking his tail under his arm in an easy and degagee manner, hobnobbed familiarly with the monks, and finally proposed, just for a lark, that he should preach them a nice red-hot sermon from the roof-loft of the abbey. To this the monks agreed, and the devil came to church in high glee. But fancy his profane perturbation (I had nearly written holy horror) when the treacherous Cistercians proceeded to shower him with holy water.”

Elsewhere in the same text we are told of couples dancing beneath the graveyard Yew in relatively recent times. These couples would dance beneath the branches on the side of the tree that people were not buried beneath.

Jacqueline Memory Paterson in Tree Wisdom: the Definitive Guidebook said that, “Ghostly faces seen on the trunks of peeling graveside Yews, were thought to be signs of the rising spirits of the dead freed from earthly restraints.”

(Estry Yew in Normandy. Photo by Roi.Dagobert[ix])

The Yew is not just a tree of rebirth, though. It has a direct connection with the Ogham in John Rhys 1900 Celtic Folklore: Welsh and Manx.

“Take for instance the Irish story of a king of Erin called Eochaid Airem, who, with the aid of his magician or druid Dalan, defied the fairies, and dug into the heart of their underground station, until, in fact, he got possession of his queen, who had been carried thither by a fairy chief named Mider. Eochaid, assisted by his druid and the powerful Ogams which the latter wrote on rods of Yew, was too formidable for the fairies, and their wrath was not executed till the time of Eochaid’s unoffending grandson, Conaire Mor, who fell a victim to it, as related in the epic story of Bruden Daderga, so called from the palace where Conaire was slain.”

In some versions of this story there were only three Yew Ogham sticks, or few. In other texts there were four[x].

The Yew tree was also often symbolic of romance. In the Irish myth the Tale of Oenghus, the beautiful Ibormeith (Yewberry) transforms into a swan every second year during Samhain. Oenghus, in order to win over her love, becomes a swan as well. The two are then able to fly off together, back to his kingdom[xi].

In Myths and Legends of the Celtic Race by Thomas Rolleston written in 1911 we are told that Cuchulainn would meet with the fairy maiden, Fand, beneath a Yew tree. The lovers meeting beneath a Yew tree in Celtic folklore was a recurring theme. Dead lovers would also often reconnect with one another after death. This was often accomplished by a touching together of branches between these two growing Yew trees.

There are many more examples of the Yew found in folklore. Some of these can be found in the previous Ioho (Yew) post[xii].  This previous post also contained tales of death, fairy abduction, and the story of the passing of “neopagan” father of Ogham, Colin Murray.

The Foliage:

The following spell is found within British Goblins and is used to bring someone back from “fairyland.” The missing person was taken in the early hours of the morning from beneath a magic Yew tree. It was there that he had been sleeping. This particular magic tree was found at the very center of the forest:

“The conjuror gave him this advice: ‘Go to the same place where you and the lad slept. Go there exactly a year after the boy was lost. Let it be on the same day of the year and at the same time of the day; but take care that you do not step inside the fairy ring. Stand on the border of the green circle you saw there, and the boy will come out with many of the goblins to dance. When you see him so near to you that you may take hold of him, snatch him out of the ring as quickly as you can.’ These instructions were obeyed.”

 But these sorts of things don’t always work out so well, at least not in this tale:

“Iago appeared, dancing in the ring with the Tylwyth Teg, and was promptly plucked forth. ‘Duw! Duw!’ cried Tom, ‘how wan and pale you look! And don’t you feel hungry too?’ ‘No,’ said the boy, ‘and if I did, have I not here in my wallet the remains of my dinner that I had before I fell asleep?’ But when he looked in his wallet, the food was not there. ‘Well, it must be time to go home,’ he said, with a sigh; for he did not know that a year had passed by. His look was like a skeleton, and as soon as he had tasted food, he mouldered away.”

Maybe his friend should have just left him dancing?

For a more practical use of the Yew, Robert Ellison said that the tree could be used in divination or in spells. The Yew, he said, represented the ancestors, re-birth, death, and could be used “for its powers to cast an arrow a great distance, with strength.”

 

“And at the same time the poets of Ireland were gathered at the Yew tree at the head of Baile’s strand in Ulster, and they were making up stories there of themselves.” – Lady Gregory (Book of Saints and Wonders. 1906)


[ii] Ioho was the Murray listing. Most Ogham users spell this letter Idad.

[iii] The Ogham is not a tree alphabet, but many use it as such. For more information on the Ogham see previous posts.

[iv] A most common misconception is that the Norse world-tree was an Ash but this was a translation error from the Eddas. Yggdrasil is described, through translation, as either “winter green needle-ash” poetically or as “winter green needle-sharp” as being more literal. I discuss this further in my Nuin (Ash) post. The Nordic World Tree is generally believed to have been a Yew by those who are aware of this original error.

[v] Laurie does not use the Ogham as a “tree alphabet” but shares some tree-meanings in her book for those that do.

[vii] Liz and Colin Murray. The Celtic Tree Oracle.

[x] John Rhys also proposed that these translations that used the Ogham to find the queen might be referring to actual messages sent in Ogham to other druids during the search for the missing bride – as opposed to the magical divination system usually assumed to have been used.

[xi] Philip and Stephanie Carr-Gomm. The Druid Animal Oracle.

Eadha (Aspen) II


“The people of Uist say … that the hateful aspen is banned three times. The aspen is banned the first time because it haughtily held up its head while all the other trees of the forest bowed their heads lowly down as the King of all created things was being led to Calvary. And the aspen is banned the second time because it was chosen by the enemies of Christ for the cross upon which to crucify the Saviour of mankind. And the aspen is banned the third time because [here the reciter’s memory failed him]. Hence the ever-tremulous, ever-quivering, ever-quaking motion of the guilty hateful aspen even in the stillest air.” – Alexander Carmicheal (Carmina Gadelica. 1900)

1) The Roots: Background information

2) The Trunk: Celtic Mythology and Significance

3) The Foliage: Spells using the Plant

The Roots:

Eadha, or Aspen, is the 19th letter of the Ogham in its tree form.

Aspen are very closely related to White Poplar. In many places the names for the two trees are used interchangeably. The species are so closely related, in fact, that they can intermarry resulting in the Grey Poplar species.

Aspen’s the only tree that dominates two letters from the list found in the Ogham Tract or Scholar’s Primer[i]. Eadha is associated with Aspen but so is Ebad. Writers who use the tree version of the Ogham have worked around this in various ways. The Murrays use the second Aspen, Ebad, to instead represent “the Grove”, which they also call Koad[ii]. Several other writers have since used this association.

The word-Ogham kennings are interpreted by John Mathews in the Celtic Shaman. Mathews interprets the phrase “distinguished wood” for Aspen as representing “insight.”

Caitlin Mathews has a slightly different approach to the Ogham. In her book Celtic Wisdom Sticks Caitlin says that some of the kennings relate to death while others may have more to do with the corpse-measuring rod we will discuss below. Her divination system uses a war-like theme for Aspen. The interpretations for the letter are retreat, attack, survive and persevere for love.

Robert Ellison in Ogham: the Secret Language of the Druids says that the Aspen is associated with “healing and communication.” He also claims that the tree can also be associated with old age “due to it’s shivering.”

The Trunk:

At one time, the quivering leaves of the Aspen were believed to be mediators between this world and the spirit one. Their shaking leaves helped the spirits of ancestors to speak  with the living. The shaking leaves also carried the inspiration of poetry.

The Holly and Oak are often accused of being the trees used for the crucifixion, but the Aspen also shares this role. Eryn Rowan Laurie in Ogam: Weaving Word Wisdom claims that in Scotland people would throw stones at the Aspen to punish it. This was a tradition that was even practiced into recent times due to the trees great burden of “evil.” As a result, the quivering leaves of the tree have been equated to guilt, or to fear, in anticipation of the justice it will receive for betraying Christ.

In the 1881 book Notes on Folklore of the Northeast of Scotland by Waltor Gregor we also find that, “The cross is said to have been made of the wood of the aspen – ‘Quaking Aish’ hence the constant motion of the leaves.”

The many dark association for Aspen may be due to one of its historical uses. In Cormac’s Glossary we are told of the Aspen wand called a Fe which was used to measure the graves of the dead[iii]. Accordingly, there was even an Ogham inscription cut upon these rods. The Fe wands and their users are both called “pagan” in the glossary. We are also told that it was not advised for anyone, other than the grave measurers, to handle these wands. These Aspen measuring-sticks were said to hold bad spirits.

Despite this particular macabre reference to the Aspen, the tree is spoken of as “friend” within the Ogham Tract.

In mythology, one of Cuchulain’s great victories was over three of his enemies who had also armed each of their charioteers with Aspen wands. He killed all six of them[iv].

If the Aspen wand was used for measuring the grave, then the symbolism found within the tale is both direct and haunting. The three threes, including the wands, remind us that all of the old myths are just as likely to be secret riddles as stories. The story becomes a metaphor, then, in which Cuchulainn has overcome death once more. The charioteers had only intended on measuring his corpse.

(Still Life With a Skull. Philip D. Champaigne. 17th Century)

As well as being affiliated with the dead, the Aspen is also connected to ghosts and to the “undead.”  The following example is taken from Tales of the Fairies and the Ghost World by Jeremiah Curtain in 1895:

“The malignant ones are dead persons who rise up bodily and go around at night devouring people. When one of these has eaten a victim he rushes back to his grave, for he is obliged to remain wherever he may be at cock-crow; if outside his grave, he falls stiff and helpless to lie there till the next night. There are two ways of giving a quietus to such a ghoul. One is to pin him to the earth by driving a stake of aspen wood through his heart; the other is to burn him to ashes.”

So the Aspen turns out not be so bad after all. Perhaps, it is only seeking redemption? Perhaps, it wishes to aid us in our fight against evil spirits and the undead? The Aspen may even wish to help us battle those deathless creatures wandering the dark forests and deserts of our planet?

Every land is haunted. All countries have ghosts. In fact, we are all united as one people beneath the shadows of these global cultural beliefs.

The Celts, as well as most other cultures, had a respect for nature whose royalty was the pantheon of trees. Within a few generations, however, those kings and queens were literally “stoned.”

A strange reversal of belief.

The Foliage:

According to Robert Graves in the White Goddess, French witches used Aspen or White Poplar in flying spells.

In Survival in Belief Amongst Celts published in 1911, George Henderson reports that mare’s milk taken from an Aspen spoon was a cure for whooping cough.

In Scotland, an Aspen leaf “placed under the tongue made the bearer more eloquent.” According to the source, Paul Kendall, this magical shift was a gift from the fairy queen[v].

In Tree Wisdom: the Definitive Guidebook by Jacqueline Memory Paterson, we are told that Aspen crowns have often been buried with the dead to “enable these spirits to be safely reborn”

And just in case someone you know were to ever catch palsy, Alice Vitale in her book Leaves in Myth, Magic, and Medicine shares with us an easy cure. Apparently, a piece of the sick person’s hair was pinned to an Aspen tree and this chant was spoken in place:

“Aspen tree, aspen tree, I prise shiver and shake instead of me.”

The person would then walk away from the tree, but they would not speak as they did so. If they did talk, then the spell would be broken. If they succeeded in walking away in silence, however, then the palsy would be gone forever.

Jacqueline Paterson claims in her book Tree Wisdom that French witches used five pointed Poplar leaves in spells. She says that the tree was believed “to bring good luck in the monetary sense.”

 

“In her head was one deep pool-like eye, swifter than a star in a winters sky; Upon her head gnarl brushwood, like the clawed old wood of the aspen root.” – J. F. Campbell (Popular Tales of the West Highlands. 1890)

* All images used in this post are from public domain. Wikipedia.com


[ii] The Celtic Tree Oracle. Liz and Colin Murray.

[iii] Cormac mac Cuilennain was an Irish bishop and a king of Muster. He was killed in battle in 908ce. The glossary is attributed to him after his death but was probably not actually written by him.

[iv] Cattle Raid of Cualnge. Ulster Cycle.

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