Tag: Ogam

Saille (Willow) II

“In some areas of Ireland and Scotland, willow is considered a tree of bad luck, while in others it is regarded as good.” – Erynn Rowan Laurie (Ogam: Weaving Word Wisdom)

The Roots:

Saille, the Willow tree, is slightly more elusive than some of the other trees found in Celtic lore.

Within the Ogham Tract[i] the Willow is referred to as the “flight of women” and as being a “dead colour.” In the Celtic Shaman John Mathews interprets the meanings of these poetic riddles as being “Death.”

Eryn Rowan Laurie in Ogam: Weaving Word Wisdom associates the Willow to the spirits of the ancestors.

Caitlin Mathews speaks of the Willow’s attributes in Celtic Wisdom Sticks. In her divination system, the consistent message found in connection to the Willow is for one to accept circumstances as they are, and to move forward.

In Ogham: the Secret Language of the Druids, Robert Ellison says that the Willow is associated with changes, as well as moon and water magic. Ellison claims that the Willow is related to “mysteries and water related subjects” as well as to “feminine attributes.”

The Willow is associated with the moon and water. By extension, the tree is then associated with the changing tides, the ancestors, and the dead. The tree is a bridge to the Otherworld and is an aid in creating relationships with those things that are found on the other side.

The Trunk:

Jacqueline Memory Paterson describes some of Willow’s folklore in her book Tree Wisdom: the Definitive Guidebook. “Branches of willow were traditionally placed in coffins and young Willow saplings were planted on graves. This is an echo of Celtic tradition, whereby the spirit of the corpse in the earth rises into the sapling planted above, which grows and retains the essence of the departed one.” Paterson goes on to explain how some burial mounds were lined with Willow trees to “protect the spirits of the place.” She also says that the Willow was also a traditional symbol of mourning and is still associated with grieving by some.

The Celtic god Esus is associated with the Willow tree. Esus is portrayed as cutting down the Willow tree[ii] which has mythological references that may be lost to us in modern times. According to the Roman writer Lucan, Esus is a God of war comparable to the Roman god Mars[iii]. Very little is known about him. In one image he is felling a tree with birds in the branches and in another he is associated with the bull and three cranes[iv].

While the meaning of the tree being cut down by Esus may be lost to us, the illustration is worthy of contemplation. Could Esus be the lord of winter and the Willow then be the symbol of summer? Along a similar vein, could Esus be preparing the May tree for Beltane? Is the association of Esus with the bull and cranes, as well as the willow, be representative of some sort of mastery over certain types of power? Could the Willow tree, especially with birds in the branches, represent the world tree and be telling an apocalyptic story or a metaphorical mastery of the travelling between worlds? These are all questions that we may never know the answer to, but they are interesting ones to ponder nonetheless.

(Le Pilier des Nautes. Photo by Thermes de Cluny)

T.W. Rolleston shares an interesting tale regarding the Willow in his 1911 text Myths and Legends of the Celtic Race. The story is short enough to share here in its entirety.

“Of Labra the Mariner, after his accession, a curious tale is told. He was accustomed, it is said, to have his hair cropped but once a year, and the man to do this was chosen by lot, and was immediately afterwards put to death. The reason of this was that, like King Midas in the similar Greek myth, he had long ears like those of a horse, and he would not have this deformity known.

“Once it fell, however, that the person chosen to crop his hair was the only son of a poor widow, by whose tears and entreaties the king was prevailed upon to let him live, on condition that he swore by the Wind and Sun to tell no man what he might see. The oath was taken, and the young man returned to his mother. But by-and-by the secret so preyed on his mind that he fell into a sore sickness, and was near to death, when a wise Druid was called in to heal him. ‘It is the secret that is killing him,’ said the Druid, and he will never be well till he reveals it. Let him therefore go along the high-road till he come to a place where four roads meet. Let him there turn to the right, and the first tree he shall meet on the road, let him tell his secret to that, and he shall be rid of it, and recover.’ So the youth did; and the first tree was a willow. He laid his lips close to the bark, whispered his secret to it, and went home, light-hearted as of old.

“But it chanced that shortly after this the harper Craftiny broke his harp and needed a new one, and as luck would have it the first suitable tree he came to was the willow that had the king’s secret. He cut it down, made his harp from it, and performed that night as usual in the king’s hall; when, to the amazement of all, as soon as the harper touched the strings the assembled guests heard them chime the words, ‘Two horse’s ears hath Labra the Mariner.’ The king then, seeing that the secret was out, plucked off his hood and showed himself plainly ; nor was any man put to death again on account of this mystery.”

Bards were initiates of magic and knowledge within the Celtic culture, so this story also likely has more to it than meets the eye. Bards were not subject to the same laws as other citizens and would not have been subject to the same punishments as ordinary people[v]. Harps were also often made from Willow trees, the most famous being the Brian Boru harp[vi].

The harper, Craftiny, would not have been held accountable for revealing the secret that his “harp” had spoken. Also, as a bard, he would have been protected from execution even if he was found responsible. Craftiny was able then to break a curse of sorts, which had been placed upon the people by Labra. Like many Otherworldly tales this story contains elements of the impossible. A harp could not be made from a Willow tree that had been felled that same day. The working would take much longer than this and the wood itself would have needed to be aged.

Eryn Rowan Laurie[vii] reminds us that Saille may be sending us messages from the ancestors. “It might be through the voice of falling water or through song and music.” This message from Willow might indicate that the dead are speaking[viii] or the tree may simply be suggesting “a need to connect with or listen to the ancestors or to honour them in some way.”

The Foliage:

Some magical uses for Willow are found in Judika Illes’ Element Encyclopedia of 5000 spells. The following two are both associated with death.

The first is a “Threshold Transition Spell.” The practitioner is encouraged to plant a Willow tree to help ease the transition of death. It is said that the Willow should still be alive when you die for the spell to work properly. “For added enhancement, have leaves or small branches of this tree placed within your coffin.”

The second spell involving death found in Illes’ text is the “Rest in Peace Willow Spell.” In this section it is suggested that Willow branches should be placed beside a grave to drive away negative spirits and ghosts. “These Willow branches will also prevent the deceased’s ghost from rising, protect living visitors from ‘ghost sickness’ and attract benevolent protective spirits of the dead.” Illes recommends that the Willow branches be replaced with fresh ones as often as is needed.

“The god (Esus), bull, crane and tree are all major elements of Western pagan religion and magic, found extensively in classical and Celtic mythology. Even though it is not possible to define the bull-with-three-cranes in a full mythological context, they are clearly part of a Celtic tradition similar to that found in the Irish sagas. The ritual slaying, flaying and eating of a bull were a central part of a prophetic ceremony in ancient Ireland, in which Druids entered a sacred sleep to gain a vision of the future king; it seems likely that the tree-cutting and bull-with-three-cranes scenes are connected to the sacrificial kingship that underpinned Celtic culture from the earliest period.” –R.J. Stewart (Celtic Gods, Celtic Goddesses)

[i] http://www.maryjones.us/ctexts/ogham.html

[ii] J.C. Cooper. An Illustrated Encyclopedia of Traditional Symbols.

[iii] M. Jordan. The Encyclopedia of Gods.

[iv] For more discussion regarding the Willow’s connection to the bull and three cranes see the previous Willow blog post: https://livinglibraryblog.com/?p=63

[v] Peter Berresford Ellis. The Druids.

[vi] Eryn Rowan Laurie. Ogam: Weaving Word Wisdom.

[vii] Ibid.

[viii] Laurie says that this can also be living ancestors such as grandparents.

Fearn (Alder) II

“Alder is one of the most sacred primal woods. Its wood is associated with the British divinity Bran the Blessed, who goes down into the Underworld and becomes the oracular
mouthpiece of the ancestors.”  – Caitlin Mathews (Celtic Wisdom Sticks: an Ogam Oracle)

The Roots:

The third letter of the Ogham is Fearn the Alder tree.

The Ogham tract word-associations[i] state that the Alder is the “shield of warrior-bands” and “guardian of milk.” John Mathews in the Celtic Shaman interprets these poetic reflections as being references to “defence.”

Robert Ellison in Ogham: the Secret Language of the Druids calls the Alder the “Battle Witch.” He states that the Alder is associated with guidance (through its connection with
Bran the Blessed), protection and oracular powers.

Caitlin Mathews calls the Alder the “protection of warriors” in her book Celtic Wisdom Sticks.  She also associates the tree heavily with the concept of action.

Fearn, the Alder, is strongly associated with Bran the Blessed. The tree is often used for protection and divination purposes. There are many suggestive references in Celtic mythology that the warrior class[ii] had an especially sacred bond to the water loving tree.

The Trunk:

“The alder trees, the head of the line, formed the van. The willows and quicken trees came late to the army.”  – The Battle of the Trees[iii]

In a later short text, also confusingly called the Battle of the Trees, we are given more information involving the above epic battle than is found in the original version. Amaethon has stolen from Arawn – a ruler of the Underworld – a white deer and dog(sometimes also a lapwing[iv]) which results in an epic otherworldly battle. Amaethon enlists the aid of his brother, the great god of the Welsh druids, Gwydion along with Lleu. This appears to be a wise decision as Gwydion summons an army of trees to fight the hideous creatures of the Underworld.

There is one warrior amongst the ranks of Arawn who cannot be defeated, however, unless his name is properly guessed by his opponents. Gwydion [v], noting that this mighty warrior bears “sprigs” of Alder upon his shield, is able to guess the strangers name correctly.

“Sure-hoofed is my steed impelled by the spur; the high sprigs of alder are on thy shield; Brân art thou called, of the glittering branches!

“Sure-hoofed is my steed in the day of battle: The high sprigs of alder are on thy hand: Brân . . . by the branch thou bearest has Amaethon the Good prevailed!”

Thus Amaethon and Gwydion are able to prevail over Arawn and Bran securing the use of deer and dogs for men. This battle has been compared to other versions of gods versus titans found in various world religions including the Tuatha De Danaan vs. the Famorians found in Irish myth and the Aesir vs. the Vanir found in Norse Myth[vi].

In one of the riddles of Taliesin it is asked “why is the Alder purple?” The answer to this question is then given as “because Bran wore purple[vii].” It should be noted that there may be a deeper riddle here, as Alder can hardly be described as being a purple tree. There are clues, however, to the possible deeper use of Alder in magic when one considers the tree itself. “Male catkins give a purple tinge to the crowns (of the Alder tree) in January and open dull yellow-brown from February to April[viii].”

The mythology of Bran is very well known. He is sometimes described as a giant. He was capable of wading across the waters between modern day England and Ireland when his sister was dishonoured by her husband, an Irish king. In the ensuing battle that followed, the outnumbered Welsh were able to hold their own through the use of the Cauldron of Rebirth. This magical item brought the dead back to life. The cunning instigator of the whole battle put himself, while still alive, into the cauldron destroying the artefact and himself in the process. Although the Welsh eventually win the battle, Bran is wounded by a poisoned spear (some say he is the first version of the Fisher King) and most of his men are killed[ix]. He subsequently orders these remaining men to cut off his head and to bring him home (or his head at least). Back in Wales, the head hosts a great feast in an underground banquet hall for seven years where he sings and divines the future. This ends when one of the men opens the door to the outside world. Bran’s head finally dies.

Bran’s head was then buried at the White Hill, which he had requested, where the later Tower of London was erected. It was said that Bran would protect the land forever from foreign invaders as long as his head remained undisturbed. It is said that Arthur once dug up the head, resulting in the invasion of what would later become England[x].

(Gundestrupkarret. Photo by Malene Thyssen)

Jacqueline Memory Paterson in Tree Wisdom: the Definitive Guidebook says that the Alder and the Willow are the “king and queen” of the water. This is an interesting statement because the Alder is also said to have a relationship with the Rowan tree, which is the other tree found beside it in the Tree Ogham.

In Lady Wilde’s 1887 collection of Irish folklore titled Ancient Legends, Mystic Charms and Superstitions of Ireland we are told that a branch of Alder over a crib will protect a baby boy from being abducted by fairies. A branch of Rowan will protect a baby girl from the same predicament. According to Wilde this was probably due to the “ancient superstition that the first man was created from an Alder tree and the first woman from the mountain ash (Rowan)[xi].” Elsewhere in the text the Alder is also described as “possessing strange mysterious properties and powers to avert evil.”

There is one more mention of Alder in Celtic mythology, though somewhat peripheral, that is worth sharing. Although Alder may play only a small role (or does it?) the tale is also mentions the Ogham in an interesting context.

Lady Gregory’s 1904 Gods and Fighting Men was hailed by W.B. Yeats as being “the best (book) that had come out of Ireland” during his lifetime. In her retelling of the third and first cycles of the mythical histories of Ireland we are left with one of the most mysterious passages – in my opinion- regarding the Ogham and the secrets of the lost knowledge to be found anywhere. The character of greatest interest is a “fool” named Lomna who is also an initiate of the secrets of the Ogham.

“FINN took a wife one time of the Luigne of Midhe. And at the same time there was in his household one Lomna, a fool. Finn now went into Tethra, hunting with the Fianna, but Lomna stopped at the house. And after a while he saw Coirpre, a man of the Luigne, go in secretly to where Finn’s wife was.

And when the woman knew he had seen that, she begged and prayed of Lomna to hide it from Finn. And Lomna agreed to that, but it preyed on him to have a hand in doing treachery on Finn. And after a while he took a four-square rod and wrote an Ogham on it, and these were the words he wrote:

‘An Alder snake in a paling of silver; deadly nightshade in a bunch of cresses; a husband of a lewd woman; a fool among the well-taught Fianna; heather on bare Ualann of Luigne.’

Finn saw the message, and there was anger on hint against the woman; and she knew well it was from Lomna he had heard the story, and she sent a message to Coirpre bidding him to come and kill the fool. So Coirpre came and struck his head off, and brought it away with him.

And when Finn came back in the evening he saw the body, and it without a head. ‘Let us know whose body is this,’ said the Fianna. And then Finn did the divination of rhymes, and it is what he said: ‘It is the body of Lomna; it is not by a wild boar he was killed; it is not by a fall he was killed; it is not in his bed he died, it is by his enemies he died; it is not a secret to the Luigne the way he died. And let out the hounds now on their track,’ he said.

So they let out the hounds, and put them on the track of Coirpre, and Finn followed them, and they came to a house, and Coirpre in it, and three times nine of his men, and he cooking fish on a spit; and Lomna’s head was on a spike beside the fire.

And the first of the fish that was cooked Coirpre divided between his men, but he put no bit into the mouth of the head. And then he made a second division in the same way. Now that was against the law of the Fianna, and the head spoke, and it said: ‘A speckled white-bellied salmon that grows from a small fish under the sea; you have shared a share that is not right; the Fianna will avenge it upon you, Coirpre.’ ‘Put the head outside,’ said Coirpre, ‘for that is an evil word for us.’ Then the head said from outside: ‘It is in many pieces you will be; it is great fires will be lighted by Finn in Luigne.’

And as it said that, Finn came in, and he made an end of Coirpre, and of his men.”

Here we find another talking oracular head, like that of Bran, which continues to exist after death. What strikes me as most interesting about this tale is that only druids and those of great power were able to make the Ogham markings and read the messages or warnings left on them. Yet Lomna is clearly labelled a fool. The mystic fool, however, is a theme that is universal. One only has to look as far as the Tarot to discover the truth of this statement.

At no point does Lomna “play” the fool in this story. Finn on the other hand not only seems to have a hard time choosing faithful wives, he also needs to use divination to determine how a corpse with its head severed off and missing was killed. Perhaps it is Finn who is playing the fool?

There is more to this story than initially meets the eye.

The Foliage:

The following magical suggestions regarding the use of Alder in ritual are found in Jacqueline Memroy Paterson’s Tree Wisdom: the Definitive Guidebook:

“The appearance of Alder’s purple buds in earliest spring show that the tree is powerful from Imbolc to the Spring Equinox. At this time, as the strength of the sun is visibly growing, meditation with Alder places our feet firmly upon the earth, where we can discern the coming season of light and make wise preparation…

“Because of its associations with water Alder is also powerful in the west of the year, particularly from the Autumn Equinox to Samhain. Then it can be used along with other divinatory herbs in incense and decorations. Specific divination with Alder at this time, especially when looking forward to the new Celtic year which begins after Samhain, pronounces its oracular ‘sacred head’ qualities, allowing us contact with the singing head of Bran to obtain divine specifics for the coming season of darkness. Thus the Alder provides far sight throughout the year.”

Alder can also be used as a stand-in for any protective herb found within any spell. For those following a warrior’s path, the potential magical expressions offered by this “Battle Witch” are intriguing, to say the least.

Our ancestor Celts were passionate people.

 “Though looking to the future and not folklore as such, it is worth mentioning that Alder is interacting with humanity in another way by helping us in today’s climate of environmental destruction and restoration. The nitrogen-fixing nodules on the alder’s roots improve soil fertility and so make this tree ideal for reclaiming degraded soils and industrial wastelands such as slag heaps.” Paul Kendall (Trees for Life: Mythology and Folklore of Alder)[xii]

[ii] For a discussion on the Celtic warrior and how he or she relates to contemporary society see the previous post on Alder: https://livinglibraryblog.com/?p=42

[v] Ibid.

[vi] http://www.ancienttexts.org/library/celtic/ctexts/t08.html
see the notes at the end of the document found here.

[vii] Ellison.

[viii] Collins pocket Guide: Trees of Britain and Northern Europe.

[ix] Taliesin is present and survives.

[x] Oxford Dictionary of Celtic Mythology and the Ultimate Encyclopedia of Mythology.

[xi] This was likely a bastardization of the introduced religion of the settled Norse invaders to Ireland (Dublin) and the subsequent exchange and intermarrying of cultures that followed. In the Poetic Edda the first man and woman are Ask and Embla (Ash and Elm).

Luis (Rowan) II

“The Queen went to the Stone House and took Morag out. She asked her how she had fared and thereupon Morag put the Rowan Berry in the Queen’s hand. She hastened to her own chamber and ate it, and her youth and beauty came back to her, and the King who had grown solitary, loved the Queen again.” – Patraic Colum (The King of Ireland’s Son, 1916)

The Roots:

The Rowan tree is one of the most significant trees found in Celtic mythology.

In Ogham: the Secret Language of the Druids Robert Ellison states that the Rowan is a tree of protection, magic, and control of the senses.

Caitlin Mathews in Celtic Wisdom Sticks: an Ogham Oracle claims that the Rowan is “popularly credited with being the most magical of trees.” As well as being a protective tree, the Rowan in her divination system is also associated with staying on course and not getting lost.

In the Ogham Tract[i] the word associations given to the Rowan are “delight of the eye… flame” and “friend of cattle.”[ii] John Mathews in the Celtic Shaman interprets the first word riddle as being a reference to Love.

The instances found of Rowan’s protective nature against fairies, witches, and the evil eye are extensive in Celtic folklore. Besides being a protector, Luis is also a tree of magic.

The Trunk:

J.C. Cooper in an Illustrated Encyclopedia of Traditional Symbols calls the Rowan the “Gallic Tree of Life.”

The use of the Rowan for protection was very widespread. The tree was said to offer protection against fire, lightening and witches and also to protect cows and milk products. Rowan was often planted in graveyards, like Yew, to prevent the dead from rising[iii].
In Irish legend the corpse might be staked with a Rowan branch bearing berries to prevent the ghost from wandering[iv]. Rowan was also used in shapeshifting spells[v]. When the tree grew close to the home it was considered very auspicious.

The Rowan tree is said to have been brought to Ireland by accident from Tir Tairngire, the Land of Promise, by the Tuatha De Danann[vi]. Etain is turned into a pool of water by being struck by a wand of Rowan and the Salmon of Wisdom is sometimes found to be eating Rowan berries instead of hazel nuts[vii].

The unfaithful wife of Finn Mac Cool, Graine, hides in a Rowan tree with her lover Diarmaid to avoid being captured. In the pursuit of the lovers the Fianna stopped beneath the same Rowan tree to rest. They started to play games to fill the time. Diarmaid was one of Finn’s men and it was said that when he was nearby, due to his magic, Finn would win every game. While playing beneath the tree, Finn loudly proclaimed that he wished that Diarmaid was present so that he could win every game. Hearing this, Diarmaid dropped one Rowan berry from the tree down to Finn who then won. This was done four times in a row for four separate games. After the fourth game Finn realized that Diarmaid was nearby and called the lovers down from the tree. A battle was then fought[viii].

In the King of Ireland’s Son, by Padraic Colum, a giant and his fearsome black bull guard the Rowan tree from mortals. In the tree itself are also found 24 vicious angry yellow cats. The giant who guards the tree has two servants, more like slaves, named Flann and Morag. Morag has placed herself in the service of the giant because she intends to steal a Rowan berry for her queen. Flann is an unwilling captive.

Morag is described as being very unattractive in the earlier portions of this tale. When she finally manages to steal a Rowan berry for her queen she also takes one for herself. Flann and Morag manage to escape and a series of adventures begin. This is not before Morag eats one of the Rowan berries and becomes beautiful. Flann and Morag then fall in love as a direct result of her eating the Rowan berry. They will eventually be together after many hardships.

It should be noted that the 24 cats, plus the Rowan tree itself, could easily represent the 25 letters of the Ogham.

Philip and Stephanie Carr-Gomm in the Druid Animal Oracle link the Blackbird to the Rowan. They also speak of the protective nature of Rowan in regards to the Cow. In many ways the traditions involving the Rowan have been carried forward to modern times.   One example would be that Luis, the Rowan or Mountain Ash, can still be found on the clan badges of Malcom and McLachlan[ix].

The tree itself is not supposed to be cut down or hurt with a blade of any sort. Although the Rowan is a great protector, there is a suggestion in the stories that to harm the tree would be to court disaster.

Rowan sometimes grows from another tree like mistletoe. These branches are considered especially magical[x].

The Foliage:

Ivo Dominguez, jr. includes some interesting lore on the Rowan tree in his text Of Spirits: the Book of Rowan[xi].

“Moreover, the Rowan’s true element is probably light of which fire is one manifestation. Rowan has the power to open and to close gates, to summon and to banish, to protect and to sustain. All parts of the tree are useful for the making of incense or magical tools.

“The berries were used by the druids and the Welsh witches in brewing wines and potions that increased the power of the second sight. The blossom end of the berry is marked with a natural pentacle. If the berries are charged in a ritual they achieve special vital energy potency so that if one berry is consumed it gives the prana of nine meals. Very useful for healing, strenuous work, and fasting. Even without the ritual, 1 berry quartered and brewed as a tea greatly increases second sight.”

It should be noted here that the raw fruit does contain parasorbic acid which if eaten in quantity may cause indigestion or kidney failure. This can be neutralized through cooking or freezing[xii].

“In the Highland version of the legend of Fraoch, given in the Dean of Lismore’s book, the rowan tree is a sort of tree of Life; it bears fruit every month and every quarter, and the virtue of its red berries when tasted was such as to stave off hunger for long:

Its berries’ juice and fruit when red For a year would life prolong.

From dread disease it gave relief If what is told be our belief.

Yet though it proved a means of life Peril lay closely nigh;

Coiled by its root a dragon lay Forbidding passage by.”

– George Henderson (Survival in Belief Amongst Celts, 1911)


[i] http://www.maryjones.us/ctexts/ogham.html

[ii] This line is confusing as it also mentions the Elm tree.

[iii] Fred Hageneder. The Meaning of Trees.

[iv] Jacqueline Memory Paterson. Tree Wisdom: the Definitive Guidebook.

[v] Robert Ellison. Ogham: the Secret Language of the Druids.

[vi] James MacKillop. Oxford Dictionary of Celtic Mythology.

[vii] Ibid.

[viii] J.F. Campbell. Popular Tales of the West Highlands, 1890.

[x] Ibid.

[xi] The newer updated version of this book titled Spirit Speak does not include this information on Rowan. Both books lend understanding to “the nature of discarnate beings” and I cannot recommend them enough for anyone interested in the spirit world.

Beithe (Birch) II

“B has primacy over all other letters, we are told, because the very first use of ogam was as a warning inscribed upon a wand of Birch, sent to Lugh that his wife, was about to be carried off if he did not guard her with Birch.” – Caitlin Mathews (Celtic Wisdom Sticks)

The Roots:

We begin the cycle of the Tree Ogham once more, at the beginning, starting with the Birch tree. This cycle will promote different authors and ideas, share myths, folklores and legends not previously discussed, and have a slightly different focus during this dark, or more accurately cold, half of the year than the first run-through did.

The first cycle ran from Beltane to Samhain and covered the 25 generally accepted Ogham letters or few that we will cover once more[i]. This second cycle will also cover these same letters once more, but will do so from roughly Samhain to Beltane. It is important to note that the Ogham is not just a tree alphabet and this has been previously discussed[ii]. For the purposes of this blog, however, at least as far as this cycle goes, we will continue to view the Ogham as a type of tree alphabet.

—

The Birch is associated with beginnings.

Robert Lee Ellison, archdruid and author of Ogham: the Secret Language of the Druids, tells us that the Birch is associated with new beginnings. Beithe, the Birch is usually given this association by Ogham users regardless of their varied backgrounds and Ellison is no exception. Ellison shares that in Brittany Birch leaves were placed in cradles, or that the cradles themselves were made from Birch wood, to offer protection to the youngest and most vulnerable members of the family or clan.

Caitlin Mathews in Celtic Wisdom Sticks also promotes the idea of beginnings for Beithe. She associates the Birch with the ideas of innocence and truth in her divination system as well.

In the Ogham Tract[iii] there are various word Oghams given that describe the Birch. These include “faded trunk and fair hair” and “silvery of skin.” John Mathews in the Celtic Shaman makes the observation that these word-oghams all pertain to physical characteristics and thus associates the Birch with the concept of Age.

Beithe is one of the few Ogham letters that actually does represent a tree. Eryn Rowan Laurie in Ogam: Weaving Word Wisdom reminds us that many of Ogham letters do not actually represent trees at all, but have meanings more akin to the Norse Runes. Laurie gives the meaning of Beithe as purification.

Birch represents beginnings, innocence and purification. Beithe offers strong protection in any of these areas. The association to age may be a paradox that there is wisdom, or antiquity, found within innocence itself.

The Trunk:

“This moreover is the first thing that was written by Ogham, (the birch) b was written, and to convey a warning to Lug son of Ethliu it was written respecting his wife lest she should be carried away from him into faeryland, to wit, seven b’s in one switch of birch: Thy wife will be seven times carried away from thee into faeryland or into another country, unless birch guard her. On that account, moreover, b, birch, takes precedence, for it is in birch that Ogham was first written.” –Ogham Tract

Fred Hageneder in the Meaning of Trees shares a connection between the Birch tree and the goddess Brigid. “Named after the whiteness of its bark, the Birch shares its name with the ancient Irish goddess Brigid, both names deriving from the Indo-European word bher(e)g, “shining white”. Brigid was a benevolent deity, a muse to poets and the patron of crafts, particularly spinning and weaving.”

This is an interesting observation because both Lugh and Brigid share many characteristics. Lugh (Lug) in the Second Battle of Mag Tuired (Cath Maige Tuired) lists himself as being skilled in every craft known to the Tuatha De Danaans in a bid for acceptance into their fold. He is almost turned away by the Tuatha De Danaan, however, because they are not missing any of the skills that he has listed. Before he is turned away, though, he asks if anyone else is proficient in all of the various crafts that he has listed. They finally see his value and accept him into their fold. Eventually, it is he that leads them to victory against the Fomorians and his grandfather Balor by piercing his single magical eye.

Brigid (Bridget) on the other hand is associated with fire, smithing, fertility, cattle, crops and poetry[iv]. When one considers the day to day life of the ancient Irish, this list is also fairly intensive and incorporates the bulk of the Celtic ancestor’s wealth. It should also be noted that Bridget the goddess and St. Brigid’s stories likely merged sometime after the fifth century. Many people today, especially neopagans, would consider the two female aspects one and the same.

In Alexander Carmichael’s Carmina Gadelica (Vol.I) we find some interesting lore regarding Bhride (Bridget), divination, and the Birch. I share the quote from the 1900 text in full, not only because it’s interesting, but because it provides a snapshot into a time when our ancestors viewed the world quite differently than today.

“The older women are also busy on the Eve of Bride, and great preparations are made to celebrate her Day, which is the first day of spring. They make an oblong basket in the shape of a cradle, which they call ‘leaba Bride,’ the bed of Bride. It is embellished with much care. Then they take a choice sheaf of corn, generally oats, and fashion it into the form of a woman. They deck this ikon with gay ribbons from the loom, sparkling shells from the sea, and bright stones from the hill. All the sunny sheltered valleys around are searched for primroses, daisies, and other flowers that open their eyes in the morning of the year. This lay figure is called Bride, ‘dealbh Bride,’ the ikon of Bride. When it is dressed and decorated with all the tenderness and loving care the women can lavish upon it, one woman goes to the door of the house, and standing on the step with her hands on the jambs, calls softly into the darkness, ‘Tha leaba Bride deiseal,’ Bride’s bed is ready. To this a ready woman behind replies, ‘Thigeadh Bride steach, is e beatha Bride,’ Let Bride come in, Bride is welcome. The woman at the door again addresses Bride, ‘A Bhride! Bhride thig a stench, tha do leaba deanta. Gleidh an teach dh’an Triana,’ Bride Bride, come thou in, thy bed is made. Preserve the house for the Trinity. The women then place the ikon of Bride with great ceremony in the bed they have so carefully prepared for it. They place a small straight white wand (the bark being peeled off) beside the figure. This wand is variously called ‘slatag Bride,’ the little rod of Bride, ‘slachdan Bride,’ the little wand of Bride, and ‘barrag Bride,’ the birch of Bride. The wand is generally of birch, broom, bramble, white willow, or other sacred wood, ‘crossed’ or banned wood being carefully avoided. A similar rod was given to the kings of Ireland at their coronation, and to the Lords of the Isles at their instatement. It was straight to typify justice, and white to signify peace and purity–bloodshed was not to be needlessly caused. The women then level the ashes on the hearth, smoothing and dusting them over carefully. Occasionally the ashes, surrounded by a roll of cloth, are placed on a board to safeguard them against disturbance from draughts or other contingencies. In the early morning the family closely scan the ashes. If they find the marks of the wand of Bride they rejoice, but if they find ‘long Bride,’ the footprint of Bride, their joy is very great, for this is a sign that Bride was present with them during the night, and is favourable to them, and that there is increase in family, in flock, and in field during the coming year. Should there be no marks on the ashes, and no traces of Bride’s presence, the family are dejected. It is to them a sign that she is offended, and will not hear their call. To propitiate her and gain her ear the family offer oblations and burn incense. The oblation generally is a cockerel, some say a pullet, buried alive near the junction of three streams, and the incense is burnt on the hearth when the family retire for the night.”

(St. Brigid of Ireland)

Imbolc or Candlemas is the holiday usually associated with Bridget. I would suggest that the above holiday sounds more like Beltane to me, though, when one considers the gathering of flowers and such. Beltane is also the holiday most often associated with the Birch, as representing beginnings, as well, so would be more relevent to us here in the current context than Imbolc.

The Birch is one of the first trees to leaf in spring. For this reason the Maypole is believed to have often been made from a Birch and the Beltane fire was started with Birch wood[v]. At Samhain and Beltane Birch was burned to drive out “evil spirits” or the spirits of the old year. This practice had continued into more modern times with the practice of “Birching prisoners or the insane in an effort to expel these more modern versions of the evil spirits[vi].

In Popular Tales of the West Highlands by J.F. Campbell, 1890, we find another mention –though barely in passing- of Birch. At Beltane the Rowan berries were placed over cow doors as protection while, “Birch branches, primroses, and other flowers, were placed upon the dresser, tar was put upon the cattle, snails were put upon a table under a dish, and were expected to write the first letter of a lover’s name, holes were dug in the ground and fortunes foretold from the kind of animals which were found in them.”

Philip and Stephanie Carr-Gomm in the Druid Animal Oracle connect the stag to the Birch and this comparison is worth sharing here.

“According to Druid tradition, the birch is the tree of beginnings, and the stag is creature from the beginning of Time. The Gateway represents the place of transition from this world to the Otherworld, and the stag is often seen as an Otherworldly messenger.”

The Birch tree is also often associated with the Amanita mascara or Fly Agaric mushroom. Many have noted the presence of one species with the other suggesting a symbiotic relationship where Pine is often present as well. An interesting read regarding the possibility of a shamanic mushroom cult existing in the Celtic world is Peter Lamborn Wilson’s Ploughing the Clouds: the Search for Irish Soma. Wilson suggests that the destruction of one eyed gods in myth, such as that of Balor by Lugh, could be a metaphor for a type of lost mushroom ritual. This would provide another interesting connection between the Birch and the story of Lugh.

The Birch found in Celtic mythology, legend, and folklore is always benevolent.

The Foliage:

“The birch, notwithstanding his high mind, Was late before he was arrayed. Not because of his cowardice, But on account of his greatness.” – Cad Goddeu[vii] (Battle of the Trees)

There are simple rituals involving the Birch which can be performed at any time of the year.

Traditionally, Birch was used to drive out the spirits of the old year and to bring in the new. This would have been done at Samhain which was the end of the actual year, or more likely, at Beltane to bring in the beginning of the light half of the year.

According to Fred Hageneder[viii], “the birch tree’s association with renewal is manifested in the Western custom of ‘brushing out the old year’ with a birch broom on the morning of the longest night of the year.” This would have been the Winter Solstice which may also be called Alban Arthuan or Yule.

Birch can be used in any purification spell and does not have to be confined to any certain holiday. Likewise, a birch broom can be substituted by anything made of Birch. A smudge of sage (or maybe the more traditional juniper) can be waved through the air with a piece of Birch bark instead of a feather. If it is safe to do so Birch may be burned in a fire, or alternately cold Birch ashes may be scattered around the premise of your home.

Use the recent passing of Samhain as an opportunity to purify your home or work space. Place an autumn leaf of Birch somewhere special to honour the tree at this time.

“In Wales the Birch tree is much associated with love; a lovers bower usually stands beneath a birch tree or in a birch bush. The maypole is usually made of birch; wreaths of birch may be presented as love tokens. Bedwyr may mean ‘birch hero’.” – James MacKillop (Oxford Dictionary of Celtic Mythology)

[ii] Ibid.

[iii] http://www.maryjones.us/ctexts/ogham.html

[iv] James MacKillop. Oxford Dictionaryof Celtic Mythology.

[vi] Caitlin Mathews. Celtic Wisdom Sticks.

[viii] The Meaning of Trees.

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