Some Other Sphere Podcast: Shanon Sinn – The Haunting of Vancouver Island

“Shanon Sinn – The Haunting of Vancouver Island” was released by Some Other Sphere podcast on February 27th. In this episode, I was interviewed by Rick Palmer about The Haunting of Vancouver Island and our region’s ghost stories.

Because it’s a United Kingdom podcast, I found Rick’s choice of which stories to focus on interesting. We talked about First Nations spirituality, Vancouver Island’s sense of place, made comparisons to European folklore, and much more.

Continue reading “Some Other Sphere Podcast: Shanon Sinn – The Haunting of Vancouver Island”

The Raven and Crow of the Celts – Part II: Fairytales and Folklore

Karyn Dunbar
by Karyn Dunbar, gallery accessed by clicking on image

“The Raven is equally a bird of omen, Raven-knowledge, or wisdom being proverbial” – George Henderson. (Survival in Belief Amongst Celts. 1911)

Many Celtic Fairytales contain remnants of the old stories of Gods and Goddesses [part I]. In Donald Mackenzie’s 1917 Wonder Tales of Scottish Myth, for example, we’re told that the Banshee can appear as a black dog, a Raven, or a Hoodie Crow during the day. The older spelling of Banshee was Bean Sidhe. The word Sidhe is usually used in relation to the Tuatha De Danaan, Old Ireland’s pre Christian deities[i].

Thomas Croker claimed, in his 1825 book Fairy Legends of South Ireland, that the Leprechaun “properly written” was Preachan. Croker said that the name meant, “Raven.”

In the 1773 book Scottish Fairy and Folk Tales by Sir. George Douglas, we find a story reminiscent of much older shapeshifting myths when a man’s wife turns herself into a Raven to avoid some ravenous dogs.  The same power of transformation is possessed by the Witches of Mull in George Henderson’s 1911 book, Survival in Belief Amongst Celts.  The most famous Witch of Mull was Doideag, a powerful sorceress who some believed sank the Spanish Armada[ii].

There are many fairytales in which a person is turned into a Raven, or Crow, as part of a curse. In Joseph Jacob’s 1894 More Celtic Fairytales, for example, a man is turned into a Raven when his wife strikes him. Usually, however, the Raven’s curse is somehow related to “the son of a king” such as the two stories which are found in J.F. Campbell’s 1890 Popular Tales of West Highlands.

In the story of the Battle of the Birds, found in Joseph Jacob’s earlier 1892 book Celtic Fairy Tales, a king’s son happens upon a fierce battle. All of the other creatures have already fled the battlefield or are dead, except for a black Raven and a snake locked in mortal combat. The king’s son aids the Raven and kills the snake. The Raven then leads the king’s son over nine bens, glens and mountain moors in one day, six on the following day, and three on the final day. On the third morning the Raven has disappeared and a “handsome lad” is standing in his place. This boy claims that an evil druid had put a curse on him, transforming him into a Raven. As thanks, for saving his life and lifting the curse, the Raven-boy gives the king’s son a gift of “a bundle,” which contains in it a Castle and an Apple orchard.

In Popular Tales of West Highlands is the story of The Hoodie Crow. In it, the youngest of three sisters agrees to marry a Crow.  Once married, she discovers that her husband is really a handsome man – of course. Due to her love, the curse becomes partially lifted and the third daughter is forced to decide if she wants her husband as a man or as a Crow during the day. The bride eventually decides that her husband will be a man during the day and a Crow at night.

The Raven and Crow of the Celts
The Hoodie Crow. H.G. Ford. 1919

“The Crow was a bird of darkness. He was always associated with the man skilled in Black Airt [sic]” – Walter Greger (Notes on Folklore of Northeast Scotland. 1881)

In folklore, the Raven and Crow of the Celts can be somewhat of a guardian angel, as well. Such is the case with the Crow found in Joseph Jacob’s Celtic Fairy Tales. In it, a talking bird appears to a man who’s having problems with a leaky sieve (we all know what that’s like). The Crow tells the man to use red clay from the bottom of the river to repair the sieve. The man does what the crow suggests and the sieve no longer leaks.

The Raven and Crow sometimes has human-like abilities, similar to the Raven found in First Nation myths of the Pacific Northwest.  In one Celtic story, for example, a Raven is chewing tobacco[iii], in another, hundreds of Ravens are engaged in a semi-formal dance[iv].

There’s also an interesting story found in the 1887 book Ancient Legends, Mystic Charms, and Superstitions of Ireland by Lady Wilde. A man steals some Raven’s eggs and boils them. He then places the eggs back in the nest. The Raven returns to the nest, discovers the cooked eggs, and then quickly leaves. The Raven eventually returns with a magic stone, which she rubs all over the boiled eggs. Through this action the eggs are restored to their previous state. The man, as he’d planned all along, then steals the magic stone from the Raven intending to use it for his own personal gain (a Leprechaun-like story).

Besides the many fairytales and folk stories, Raven proverbs are also scattered throughout the old texts:

  • A Raven hovering over a cow meant that there was “a blight” upon the animal (Joseph Jacobs. More Celtic Fairytales. 1894).
  • A departing soul sometimes took on the form of a Raven (George Henderson. Survival in Belief Amongst Celts. 1911).
  • If a Raven was present when somebody died, it was said to be the Devil retrieving his or her soul. If the bird present was a White Dove, however, it meant that the person had obtained salvation (Thomas Croker. Fairy Legends of South Ireland. 1825).
  • A Crow on a house indicated that someone would die (Walter Greger. Notes on Folklore of Northeast Scotland. 1881).
  • “The howling of a dog at night, and the resting of a Crow or Magpie on the house-step are signs of death (Andrew Lang. Prophecies of Brahan Seer. 1899).”
  • A Raven tapping three times on a windowpane foretold the death of an occupant (John Seymour. True Irish Ghosts. 1914).
  • “If Ravens were cawing about the house it is a sure sign of death, for the Raven is Satan’s own bird (Lady Wilde. Ancient Legends, Mystic Charms, and Superstitions of Ireland. 1887).”
  • “The Crow and Black Hen are ominous of evil (ibid).”
  • “It is unlucky to meet a Magpie… when going on a journey (ibid).
  • The Raven prepared “his nest” on St. Bride’s Day and would have a chick by Easter. “If the Raven has not he has his death (Alexander Carmichael. Carmina Gadelica – Vol I. 1900).”
  • The Devil could appear as a Raven and would land upon a person’s head in order to possess their bodies (St. John Seymour. Irish Witchcraft and Demonology. 1913).
  • “What is blacker than a Raven?” “There is Death (J.F. Campbell. Popular Tales of West Highlands: Vol III. 1890).”
  • “The Raven sometimes brings aid to man (J.F. Campbell. Popular Tales of West Highlands: Vol I. 1890).”
  • “The Raven, the Crow, and the Serpent, have appeared as transformed beings of superior power (J. F.  Campbell. Popular Tales of West Highlands. 1890).”
  • “Give a piece to a Raven and he will come again (A.W. Moore. Folklore of the Isle of Man. 1891).”
  • To protect young goats, or kids, Scottish Highlanders often gave libations and cakes to the Crow who they claimed often “molested” them (Charles Squire. Celtic Myth and Legend. 1905).
  • There is a Scottish chant, “There to thee Raven spare my kids!” that’s used to protect young goats (Alexander Carmichael. Carmina Gadelica – Vol I. 1900)
  • It is a curse to leave a dead Crow (or other creature) on a hearth (George Henderson. Survival in Belief Amongst Celts. 1911).
  • “The day will come when a Raven attired in plaid and a bonnet, will drink his fill of human blood on ‘Fionn-bheinn,’ three times a day, for three successive days…  the Blood of the Gael from the Stone of Fionn (Andrew Lang. Prophecies of Brahan Seer. 1899).”

Over time, the Raven and Crow of the Celts became an evil bird. It should be no surprise then, that the Raven or Crow may also be a witch in disguise, or the devil himself. In the 1913 book Irish Witchcraft and Mythology by St. John Seymour, a witch on “the gallows” suddenly disappears. In her place is noted a coal-black Raven. In volume 2 of Popular Tales of West Highland, a “gentleman” turns himself into a Raven. The story implies that this man the Devil himself.

The Raven and Crow of the Celts often represented the darker aspects of life. It’s no wonder then, that these shadow-birds continue to fascinate our imaginations to this day. These clever birds have always seemed distinguished, compared to their less intelligent bird-cousins. Some crows even make and use tools. Both the Crow and Raven have always been seen as symbols of darkness, death, and the ignorance of the unknown. Now considered one of the most intelligent creatures on the planet, the Corvus has never given up feasting upon the dead. Good reasons that the birds continue to fascinate and intimidate us to this day.

Raven
Film poster of Edger Allan Poe’s The Raven. 1908. The Raven continues to be a potent symbol of death & darkness throughout the ages & into the present era

[i] James MacKillop. Oxford Dictionary of Celtic Mythology. 2000

[ii] ibid.

[iii] Alexander Carmicheal. Carmina Gadelica – Vol IV. 1900

[iv] Lady Wilde. Ancient Legends, Mystic Charms, and Superstitions of Ireland. 1887

Ur (Heather)

“When we reflect upon the many unique characteristics of the Heather- its stern beauty of delicate purple bells nestling to a green mantled burly growth of brushwood; its distinctive vitality and strength of endurance; the wild rugged solitude of its native home in the Scottish Highlands, and the untamed spirit of independence which over broods this hermit flower of the mountain crags- it is not to be wondered at that the Heather should have been adopted as a symbol, or badge, by several of the leading clans of Scotland.” – Alexander Wallace (Heather in Lore, Lyric and Lay)

The Roots:

Ur is the eighteenth letter of the Ogham. The tree or plant that Ur represents in the Tree Alphabet[i] is the Heather.

In Magical Alphabets Nigel Pennick claims that this letter represents luck and is an entry point to the inner worlds.

In the White Goddess, Robert Graves also says that Heather is lucky. He goes on to state that Heather has a strong connection with the bee. This is a observation that is made by many other writers including Stephanie and Philip Carr-Gomm[ii], Alexander Wallace[iii], as well as Liz and Colin Murray. The bee represents industriousness, family, community and social interactions. The Heather is not only frequented by bees, but can also grow in Heaths. This growth pattern represents its own gregarious nature.

In their book the Celtic Tree Oracle, the Murrays also say that Heather provides a link to the inner self. Strangely, they also claim that the Mistletoe can be a representative of Ur as well.

Eryn Rowan Laurie in Ogam: Weaving Word Wisdom seems to have quite a different take on Ur and the Heather plant. She claims that the Ogham letter Ur is representative of death, fate and finality; by its connection to the soil[iv]. Laurie also claims that Heather independent from the letter- is linked to poverty[v].

John Michael Greer brings the various beliefs together in his explanation of Ur found in the Druid Magic Handbook. He says that Ur represents “Power, creation, death and rebirth, symbolized by the Heather bush; spiritual power and creativity, a door opens in the inner world.”

Besides being linked to the bee, Heather is connected with mountains and the country of Scotland. The plant has links to fairies such as the Cluiricaune. Heather is also connected to witches, apparitions and also makes an appearance in at least one Cailleach tale.

Ur, or Heather, is the plant of death and the dead, luck, family and community, and can also help us to connect with the inner worlds.

The Trunk:

“Heather is the four leaf clover of the Scottish Highlands.[vi]

Heather, or Ur, does not appear very often in recorded Celtic folklore.

The Cluiricaune, who we spoke of in Ngetal, knew the secrets of brewing a heather beer. We also looked at an apparition that touched and killed a cow in Ohn; the Ogham letter covered last week. This apparition rose from the Gorse and Heather plants to bring about the destruction of the hapless creature. Both of these stories were discussed previously and can also be found in Fairy Legends of the South of Ireland by Thomas Croker.

The greatest wealth of memory regarding the Heather plant is found in Alexander Wallace’s 1903 book Heather in Lore, Lyric and Lay. There is no greater resource than this book for anyone interested in a study of the cultural significance of Heather to the Celtic people.

Throughout the book there are many poems and stories related to Heather. In folklore the white Heather represented unselfish love. It was considered very unlucky for anyone to bring Heather indoors. The plant could, however, be used as protection against witches. At Beltane, Rowan and Heather branches were carried around the sacred fire three times before being raised above dwellings to protect the house’s occupants against the evil eye. On the other hand, throwing Heather after a person was supposed to bring them good luck.

Heather is often seen as a Scottish national symbol. The plant is associated with ancestors and is found on many clan badges.

“Macgregor as the rock, Macdonald as the Heather.”[vii]

Fairies are said to live in Heather bells and Heather honey is supposed to be one of their favourite foods. Apparently Heather, like Ivy[viii], does not grow in the land of the fairies. This may explain the fairies great affinity for the flower.

There is a story from Heather in Lore, Lyric and Lay regarding a Heather fairy that I will share in its entirety due to its unique nature. It was originally told by a Mrs Grant of Laggan. The tale regards one of the fairy hills that Highlanders would often hear “fairie music” from.

“A little girl had been innocently loved by a fairy that dwelt in a tomhan[ix] near her mother’s habitation. She had three brothers who were the favourites of her mother. She herself was treated harshly and taxed beyond her strength; her ’employment was to go every morning and cut a certain quantity of turf from dry, heathy ground for immediate fuel ; and this with some uncouth and primitive implement. As she passed the hillock which contained her lover, he regularly put out his hand with a very sharp knife of sudi[x] power that it quickly and readily cut through all impediments. She returned cheerfully and early with her load of turf, and as she passed by the hillock she struck on it twice and the fairy stretched out his hand and received the knife.

“The mother, however, told the brothers that her daughter must certainly have had some aid to perform the allotted task. They watched her, saw her remove the enchanted knife and forced it from her. They re-turned, struck the hillock as she was wont to do, and when the fairy put out his hand, they cut it off with his own knife. He drew in the bleeding arm in despair; and supposing this cruelty was the result of treadiery[xi] on the part of his beloved, never saw her more.”

This is not the only dark story regarding the Heather plant. Witches in Scotland at Samhain were supposed to ride over Heather on black tabby cats. Heather can also be connected to the Cailleach; the primordial Celtic hag goddess.

It is said that whenever a hunter sees the Cailleach singing and milking the hinds upon a hillside, it is a warning. The vision is telling the hunter that he should not go, “roaming the Heath that day.” To ignore the warning was to invite a swift and merciless death[xii].

Heather, or Ur, is a magical herb indeed. The stories in Heather in Lore, Lyric and Lay do speak of death, apparitions, family and luck. Perhaps the “inner worlds” that the Ogham authors speak of are simply more references to the Spiritworld or the lands of the fey?

If this is true, then the above stories verify this Heather connection as well.

There are too many tales of the fairies to list, which speak of them as being “the dead”[xiii]. If this were to be the case, then all of the various associations given to the Heather plant would not be as different from one another as they would at first appear.

Heather is a key to the realms of the mysterious. Some may see these lands as being external and separated from oneself, while others may choose to dive into the deepest hidden worlds that are found within.

Perhaps they are one and the same.

The Foliage:

The Heather plant that represents Ur is Calluna Vulgaris.

Calluna Vulgaris is considered an invasive species in British Columbia as it is sometimes found to have naturalized. This non-native immigrant, however, is the Heather that is the same plant referred to in Celtic myth and legend. What we call Heather in British Columbia is not the same plant.

These are the native types of mountain Heather from the Cassiope  and also the Phyllodoce Genus . The Mountain Heathers are close relatives of Calluna Vulgaris belonging to the same family Ericaceae[xiv]. Some of the species, such as White Mountain Heather or Yellow Mountain Heather, are common throughout the Pacific Northwest and BC.

The Heather of myth is usually a purple flower.

“According to the classical writers, the Druids taught three important things: Honor the gods. Do no evil. Live courageously.” – Tom Cowan(Yearning for the Wind)



[i] The Ogham was not originally intended to be used as a Tree Alphabet. See previous posts.

[ii] The Druid Animal Oracle.

[iii] Heather in Lore, Lyric and Lay.

[iv] The Ogham Tract.

[v] Laurie is the Ogham expert that I probably respect, and agree with, the most. I disagree with her on this point, however, which may seem strange as she is much more knowledgable than me on Celtic mythology and the Ogham. I do not understand the poverty connection to Heather, however.

[vii] Heather in Lore, Lyric and Lay.

[viii] See Gort post.

[ix] Fairy dwelling.

[x] I am not sure what this means.

[xi] Breech of faith.

[xii] We should be thankful that Alexander Wallace preserved so much of the lore associated with the Heather in a single place. I have merely skimmed the surface of this highly recommended book.

[xiii] Katherine Briggs. The Fairies in Tradition and Literature.

 

Ailm (Fir or Pine)

Out of my experience, such as it is (and it is limited enough) one fixed conclusion dogmatically emerges, and that is this, that we with our lives are like islands in the sea, or like trees in the forest. The maple and the pine may whisper to each other with their leaves, and Conanicut and Newport hear each other’s foghorns. But the trees also commingle their roots in the darkness underground, and the islands also hang together through the ocean’s bottom. Just so there is a continuum of cosmic consciousness, against which our individuality builds but accidental fences…” –William James (The Fairy Faith in Celtic Countries)[i]

The Roots:

The sixteenth letter of the Ogham is Ailm. This is the Scotch Fir or Scots Pine.

There is a lot of confusion regarding which tree should be assigned to Ailm. The Ogham tract says that it is the “Fir” tree. The Fir tree is also listed within the tract as a possible choice for Gort, the Ivy, as well. Robert Graves named the tree representing Ailm as the Silver Fir based on the mention of the Fir tree within the text[ii]. This choice is generally accepted as being correct.

The first Silver Fir, however, is not believed to have been introduced into neighbouring Scotland until 1603[iii]. The Ogham Tract is from the Book of Ballymote believed to be written in about 1390[iv]. Before the 18th century the Scots Pine was known as Scotch or Scots Fir[v] so the mention of the “Fir” within the Ogham Tract is most likely a reference to the Pine[vi]. The Scots Pine is native to the British Isles and would have been better known in Ireland. Pine is also mentioned within the Ogham tract, but various names for the same tree are found for other letters as well. For example the Yew is also the Service Tree, Blackthorn is also Sloe, and Quicken is also the Rowan. It is likely that both Pine and Fir refer to the Scotch Fir or Scots Pine. The variety of names given for the same species may be a poetic recording or even from the translation by George Calder in 1917[vii].

Firs and Pines -as well as Spruces, Cedars and others- are part of the same family known as Pinaceae. These conifers share a prehistoric heritage as members of the first trees growing in many areas upon the land of our planet. The close relation -and primordial ancestry- make them more akin to one another than many other trees that have
greater differences. For this reason the Pinaceae trees are easily interchangeable, and the choice to honour one above another -within the Ogham list- may feel quite comfortable to many students of the Ogham.

Liz and Colin Murray speak of Ailm as being a few of “long sight and clear vision[viii].” Nigel Pennick –who suggests the few represents the Elm, however- agrees. He adds that Ailm is about, “Rising above adversity” as well[ix].

John Micheal Greer lists the attributes of Ailm as vision, understanding, seeing things in perspective, and expanded awareness[x].

Robert Graves calls Ailm or the Fir, “the Birth Tree of Northern Europe[xi].”

Eryn Rowan Laurie also says that Ailm represents, “origins, creation, epiphany, pregnancy and birth[xii].”

Ailm, the Scotch Fir or Pine, is the tree of new beginnings and clarity of perspective. These ancient trees also seem to represent the Cailleach, the Celtic hag goddess.

The Trunk:

Robert Graves, in the White Goddess, claimed that there was a Gallic Fir goddess named Druantia who was also known as “the Queen of the Druids.” She was also apparently “the mother” of the tree calendar.

I have never been able to find a reference -before Robert Graves that is- that even mentions such an important figure as “the Queen of the Druids”. New age pagans speak of her often enough though, and she even has a page on Wikipedia that references two Llewellyn authors from 2006. As far as I can tell, this goddess is completely fictitious.

Robert Graves’ Druantia is fictitious. Just like his tree calendar that she was supposed to have been the mother of.

Graves proposed that the Ogham was actually a tree calendar and much of the White Goddess is actually a poetic essay supportive of this idea. The calendar starts on December 24th with the Birch tree. Each of the thirteen months of the year continue then as Rowan, Ash, Alder, Willow, Hawthorn, Oak, Holly, Hazel, Vine, Ivy, Reed, and then Elder. His justification is an interpretation of an old Irish poem the Song of Amergin which he believed was a code left for those with poetic sight –him- to find answers within. He reaches into his own interpretations of myths and observations of nature to support these conclusions.

The idea is actually quite beautiful and many people like the idea of an Ogham calendar and have adapted it into their own lives.

Liz and Colin Murray took the idea and ran with it a little further several  decades later. They perceived things differently though. They believed that the year would have started at Samhain – Halloween- and so took the same calendar but just made it begin earlier at October 31st. Fair enough. This is truly the beginning of the Celtic year according to most scholars. The justification for many of Graves’ choices however fell short with the Murray’s shift though. It did not make sense, at least as Graves had described it, to have the Hazel/Salmon month in July when the salmon clearly run in fall – as one example.

Since then many have believed full heartedly in a tree calendar. The Ogham was not even really a tree alphabet –as we have discussed many times before- how could it then be a tree calendar?

I don’t see anything wrong with using an Ogham tree calendar, as long as one is aware that it’s not based on historical fact. As long as that individual is not passing on that same information as “the truth” to other seekers then what is the harm in any new shaping of old ideas? Perhaps there is a niche crowd that needs a Fir goddess Druantia just like there seems to be a pocket of people who want to believe in Cernunna the female counterpart of Cernunnos[xiii]?

The problem is that those who seek are often looking for real connection to the past, to the spirits of old, and ultimately to themselves and nature. I know that I felt misled when I began to realize that the teachers of the faiths that resonated most deeply within my soul were just as confused as I was, maybe even more so. They had no real relationship with the spirits they professed to. Why else would they assume that it was okay to make things up about beings that others believed were real and divine even? Was it because there were times that they were unable to find answers, so they decided to fill in the blanks themselves?

The conifers, for example, do not make as many appearances in myth as some of the other trees do.

According to Fred Hageneder in the Meaning of Trees, the Pine had special meaning to the Scottish. He claims that this tree was considered a good place to be buried beneath by clan chiefs and warriors. This is further supported on the Trees for Life: Restoring the Caledonian Forest website. In the ‘Pine mythology’ section Paul Kendall says that the Pine was used as a marker for the burial places of warriors, heroes and chieftains[xiv].

In more folkloric times Pine cones were often used in spells. They were carried to increase fertility, for attracting wealth, money and were also seen as powerful herbs for purification rites and protection spells[xv].

In mythology Merlin climbed the Pine of Barenton in a Breton story, “To have a profound revelation, and he never returned to the mortal world[xvi].” This is revealing as tree climbing appears in various shamanistic traditions around the world.

In the Fairy Faith in Celtic Countries W.Y. Evans-Wentz shares a story about St. Martin and a sacred Pine found in Tours, central France[xvii] that is worth sharing. Apparently, when St. Martin threatened to fell the tree to prove to the locals that it wasn’t sacred, “The people agreed to let it be cut down on the condition that the saint should receive its great trunk on his head as it fell.” St. Martin decided not to have the tree cut down after all!

The conifers -being the trees of the ancient forest- do seem to reach out to us as the Cailleach, the hag or crone aspect of the goddess that speaks to us from the times immemorial. These trees, the Pine, Spruce or Fir, are strong and green even in the midst of winter and were in fact some of the very first trees to climb out of the oceans.

In Visions of the Cailleach Sorita d’Este and David Rankine describe the Cailleach as follows; “Some tales portray her as a benevolent and primal giantess from the dawn of time who shaped the land and controlled the forces of nature, others as the harsh spirit of winter.”

The references in the Celtic myths to the Pine or Fir are indeed sparse. This does not mean that the conifer trees were not sacred, however. As Hageneder reminds us, “The Pine is the tree that features most frequently in the badges of the Scottish clans”. From a culture where symbols are keys to the land of spirit and of the fey, that tells us something indeed.

Though mysterious and illusive, Ailm, the Scotch Fir or Pine, is the tree of primordial beginnings and deep understandings.

The Foliage:

The first trees were actually giant ferns. Then there were palm-like trees called cycad, which still exist in some places today.

Arriving at, “About the same time that the first warm-blooded mammals appeared, the conifers became for millions of years the dominant trees on the planet. Their seeds, contained in distinctive cones, enabled them to dominate the environment and overshadow the spore plants, and to spread into habitats where there had been no previous growth. Today’s descendents of those ancient conifer forests –pines, spruces, firs, larches, cedars, cypresses, and junipers – include some of our tallest trees and the oldest living plants.[xviii]

Today the Scots Pine is the most widely distributed coniferous tree in the world and a “keystone species for the Caledonia forest[xix].”

The Silver Fir, however, is highly sensitive to air pollution. They are extremely endangered. The last wild Silver Fir tree died in Bavaria Germany only a few years ago[xx].

A great tragedy.

“Go to the rock of Osinn,” said the hag, “where the withered pine spreads its bare branches to the sky. There, as the moon rises, walk three times withershins round the riven trunk, and cast the broth on the ground before her.” – George Douglas (Scottish Fairy and Folk Tales. 1901)


[i] William James is quoted in The Fairy Faith in Celtic Countries by W.Y. Evans-Wentz (1911).

[ii] The White Goddess.

[iii] http://www.forestry.gov.uk/forestry/INFD-6UEJ3L

[iv] Oxford Dictionary of Celtic Mythology.

[v] Firefly Encyclopedia of Trees.

[vi] Eryn Rowan Laurie in Ogam: Weaving Word Wisdom, says that Fir and Pine seem interchangeable within the Ogham tract text, most especially the Irish word gius which seems to apply to them both. Her statement seems to support my theory even further.

[viii] Celtic Tree Oracle.

[ix] Magical Alphabets.

[x] The Druid Magic Handbook.

[xi] The White Goddess.

[xii] Ogam: Weaving Word Wisdom.

[xiii] Helmut Birkahn is a German Celtic historian quoted by Sabine Heinz in Celtic Symbols.

[xv] Tree Wisdom: the Definitive Guidebook. Jacqueline Memory Paterson. Etc.

[xvi] Fred Hageneder.

[xvii] This would not be considered a Celtic story due to the time frame and geographical area.

[xviii] The Secret Life of the Forest. Richard M. Ketchum.

[xx] Fred Hageneder.

error: Content is protected !!